Month: September 2025

Mastering Hooks: Capture Readers in 3 Seconds

Mastering Hooks: Capture Readers in 3 Seconds

Struggling with the business side of writing? You’re not alone. Here’s a candid look at turning pages into paychecks—join the conversation.

Capturing and Maintaining Reader Attention in the Age of Overload

In a world where your readers’ phones buzz every few seconds, attention is the rarest resource. Great ideas aren’t enough. To connect, you need to cut through noise, spark curiosity fast, and keep delivering value line by line. This post breaks down why attention is harder to earn today—and practical ways to win and keep it.

Information Overload: The New Reality

Did I just interrupt your doomscrolling? Good—that’s part of the problem I’m writing against. I’m wading through the same flood you are: more to read, watch, and hear than any one person can hold. New posts, newsletters, videos, and podcasts never stop. Even careful, polished work gets buried under the pile.

Why Your Hook Only Gets 3 Seconds (and Why You Should Panic a Little)

Okay, writers, let’s be real for a second: your hook has the lifespan of junk mail. You know what I’m talking about—that envelope that lands in your hands, gets a three-second glance, and then, unless it screams “Open me!”, takes a one-way trip to the trash (or, as my mom used to call it, the “circular filing cabinet”). Your readers are doing the exact same thing with your title, subtitle, and opening line. If you don’t grab them immediately, well… let’s just say your hard work is headed for the digital equivalent of the recycling bin.

Your job? Be that one letter worth opening. You know the one—the one that makes you pause, unfold it, and actually read the thing. Let’s talk about how to make your writing that irresistible.

What Makes a Winning Hook?

A good hook isn’t just about sounding clever—it’s about making readers stop their scrolling, squint at your words, and think, “Wait, this is for me!” Here’s what your hook should do:

Signal relevance fast: “This is for YOU.” Not some vague “writer” or “reader”—you.

Make a clear promise: “Here’s what you’ll get if you keep reading.”

Stir curiosity: “You don’t know this yet, but you’re about to find out.”

Be specific: Use names, numbers, or real-world examples.

Set stakes: Show them what’s in it for them—time saved, pain avoided, or success achieved.

Sound human: No fluff, no jargon, no robotic nonsense.

Writing is Junk Mail (Bear With Me…)

Your title = The envelope sender: If you don’t seem trustworthy, intriguing, or relevant, trash.

Your subtitle/preview = The teaser on the envelope: What’s inside? Spell out the benefit in one clean sentence.

Your opening line = The first sentence of the letter: Hit them with tension, a question, or a surprise.

Subheads and bold lines = The P.S. on the letter: Reinforce your promise with quick, scannable takeaways.

If any of these pieces are vague, boring, or confusing, guess what? Your reader “files” you—and not in a good way.

The 3-Second Test

Before you publish, ask yourself three questions. Score each from 1–5:

Clarity: Can a stranger tell who this is for and what they’ll get?

Curiosity: Is there an unresolved question, tension, or surprise?

Credibility: Are there specifics (names, numbers, situations) to back this up?

If any score less than a 3, it’s time to rewrite. Sorry, but you owe it to your readers—and your ego.

Hook Formulas That Actually Work

Let’s get practical. These formulas are like cheat codes for writing irresistible hooks:

Problem + Time Frame + Outcome

Example: “Spend 10 minutes today and cut your email replies in half this week.”

Surprising Stat + So What

Example: “Half your readers leave by paragraph two—here’s how to keep the rest.”

Confession + Pivot

Example: “I lost my first 1,000 subscribers—here’s what I did differently on #1,001.”

Question + Consequence

Example: “What if your opening line is costing you 80% of your readers?”

Contrarian Angle + Benefit

Example: “Stop outlining—story your scenes instead.”

Tiny Promise + Clear Benefit

Example: “One sentence that makes every paragraph pull its weight.”

Specific Who + Outcome

Example: “Freelance writers: the 7-word reply that doubles approvals.”

Before-and-After Examples (Because We’ve All Been There)

Weak: “Let’s talk about writing hooks.”

Strong: “Your first line decides if your work gets read—or trashed in three seconds.”

Weak: “Here are marketing tips.”

Strong: “A non-gross way to sell your book in 15 minutes a day.”

Weak: “My editing process.”

Strong: “How I cut 27% of fluff—and gained 40% more readers.”

Weak (Fiction): “A woman faces a challenge.”

Strong: “She was supposed to be dead by dawn—and had a meeting at nine.”

Weak (Memoir/Essay): “Work overwhelmed me.”

Strong: “I didn’t quit my job—I misplaced it under 97 unread emails.”

A Quick Workflow to Nail Your Hook

Write 10 versions of your hook. Yes, 10. Just do it.

Underline your nouns and verbs. If they’re vague, swap them for concrete ones.

Add stakes: time, money, emotion, or risk.

Pick a tension device: question, contrast, surprise, or confession.

Read it out loud. Can you grasp it in one breath?

Do the phone test: glance at your hook for three seconds. If it doesn’t grab you instantly, rewrite.

Pitfalls to Avoid

Clever but unclear: If no one understands your wordplay, it doesn’t matter.

Throat-clearing: “In today’s world…” Stop. Just start where the energy is.

Overpromising: Big claims with zero specifics = instant distrust.

Passive voice and hedges: “might,” “could possibly,” “somewhat.” Nope. Be bold and direct.

Your Hook is Your Envelope

At the end of the day, your hook is the envelope that keeps your work from being trashed. Make it unmistakably for your reader, promise a real payoff, and make that promise impossible to ignore. Because, let’s be honest, we’re all one bad hook away from the literary recycling bin—and nobody wants to end up there.

Now, go write a hook that makes me stop scrolling. I dare you.

And while your at it, like, follow, share and help a fellow author out.

Thanks!

If the interests is there I will post more articles like this to assist you in your career of turning your paperback into a paycheck.

Best

Author Scott

How Authors Can Thrive in the Digital Age

How Authors Can Thrive in the Digital Age

A lot of you are staring at flat sales and asking me the same thing I see in my inbox every week: are people still reading?

Short answer: yes. Longer answer: hell yes, but reading has changed outfits. People still love romance, fantasy, and thrillers, yet a lot of them are grabbing audiobooks, e-books, and snackable serials on Wattpad and Substack. Attention is a fragile little beast, so readers also go for shorter, punchier stuff, or they want summaries and adaptations like podcasts and quick recaps that fit between life, work, and whatever Netflix is feeding them tonight.

Where Are People Reading?

  • Online platforms: Wattpad, Kindle Direct Publishing, Substack, and even Reddit are buzzing with new voices and weirdly passionate niche communities.
  • Social media: Instagram’s Bookstagram, TikTok’s BookTok, and Twitter’s BookTwitter can catapult a book from “who the hell is this?” to “I saw that everywhere.”
  • Audiobooks and podcasts: Multitaskers unite. People listen while commuting, cleaning, working out, or pretending to stretch.

Why, you might ask. Have you listened to the news? Then you know the answer.

How Can an Unknown Writer Get Known Today?

1) Social media is a tool, not a religion

  • Use it if it helps. It’s great for visibility, networking, and actually talking to readers, but it shouldn’t swallow your writing time.
  • Yes, some authors thrive with little or no social presence. They are the exception. For most of us mortals, social helps put the work in front of eyeballs.

2) Other ways to get noticed

  • Self-publishing: KDP and Wattpad can get your work to readers without asking anyone’s permission.
  • Newsletter and email list: Gold. You own that relationship, and it beats shouting into the algorithm void.
  • Collaborations: Guest posts, podcast interviews, swaps with other writers. Borrow audiences like a pro.
  • Local events: Bookstores, libraries, and fairs still move the needle. Also, free cookies sometimes.

3) If you do social, do it smart

  • Go where your readers hang out. TikTok is huge for YA and romance. Twitter is strong for sci-fi and literary fiction.
  • Post more than “buy my book.” Share behind-the-scenes bits, the messy writing process, personal stories, and jump into reader conversations. Be a human, not a billboard.

The Business of Writing: From A to Z

Writing a great story matters. Editing matters. Neither will save you if you treat your book like a message in a bottle. Authors are not just artists. You are a business. That means strategy, systems, and marketing that moves people to talk about your work and you.This is not selling out. This is how you get read.

What “Business” Means for Authors

  • Product: Your book, your series, your backlist, your bonus content.
  • Brand: The promise you make to readers and the vibe you deliver every time.
  • Distribution: How your work reaches people, both digital and physical.
  • Marketing: How you attract attention and convert it into actual readers.
  • Operations: Calendars, budgets, deadlines, tools, contracts, taxes. The glamorous stuff.
  • Analytics: Knowing what works so you can do more of it and stop guessing.

The A to Z of Author Biz

  • A — Audience: Define a reader persona, not a vague blob. Who are they, what do they read, where do they hang out, why do they care.
  • B — Brand: One line that nails your promise. Keep your covers, copy, and tone consistent.
  • C — Copywriting: Your blurb and ad hooks must carry their own weight. Clarity beats clever.
  • D — Distribution: Go wide, or go exclusive. Pick based on genre norms and your goals.
  • E — Email: Build a list. Own your audience. Send value, not spam.
  • F — Funnel: Attract, capture, nurture, convert, delight. Simple beats messy.
  • G — Goals: Monthly word count, quarterly launches, revenue targets. Write them down.
  • H — Hook: A sharp premise plus emotional stakes. Put it everywhere.
  • I — IP: Protect your rights. Think audio, translation, merch, adaptations.
  • J — Joint ventures: Cross-promos, anthology teams, podcast swaps. Borrow trust.
  • K — Keywords: Metadata matters. Help stores and search engines find you.
  • L — Launch: ARC teams, preorders, schedule, assets, reviews on day one.
  • M — Marketing: Sustained, not frantic. Test small, then scale.
  • N — Nurture: Behind-the-scenes updates, freebies, bonus chapters, Q&A.
  • O — Outreach: Book clubs, libraries, indie bookstores, local media.
  • P — Positioning and Price: Know your shelf. Price to market, then experiment.
  • Q — Quality control: Edit, proof, format. Readers forgive a lot, but not sloppy.
  • R — Reviews: Make it easy to leave them. Never argue with a reviewer.
  • S — Social proof: Testimonials, awards, charts, screenshots. Use them.
  • T — Testing: Covers, blurbs, ad images, first pages. Let data win.
  • U — USP: Your unique angle. Say it plainly. Repeat it often.
  • V — Visibility: SEO, social, ads, partnerships, events. Stack your channels.
  • W — Word of mouth: The engine you build on purpose, not by accident.
  • X — X-factor: A signature element readers remember. A tone, trope, theme, or world.
  • Y — You, Inc.: Protect your time and energy. Systems beat willpower.
  • Z — Zero regret finish: Close loops, deliver on promises, ask for the next action.

Marketing That Gets People Talking

People share what makes them feel smart, seen, or entertained. Give them something to pass along.

  • Talk triggers: A bold premise, an unexpected twist, a controversial question, a jaw-drop world rule. Bake one into the book and the blurb.
  • Shareables: Quote cards, short audio clips, 20–40 second video hooks, tidy behind-the-scenes photos. Make it easy to repost.
  • Reader roles: ARC team, street team, beta readers, name-a-character contests, choice-of-cover votes.
  • Communities: Goodreads groups, Discord servers, Reddit threads, TikTok and Instagram niches. Show up where conversations already exist.
  • Micro-influencers: Bookstagrammers, BookTok creators, niche podcasts, genre newsletters. Smaller audiences can convert better.
  • Book clubs: Offer discussion guides, Zoom drop-ins, signed bookplates, discounts for bulk.
  • Local buzz: Libraries, indie bookstores, college lit groups, hometown papers. Real humans, real momentum.

Your Visibility Stack

  • Home base: A simple website and an email list. You own both.
  • One primary social channel: Go where your readers actually are. Post consistently, not constantly.
  • Retail pages that convert: Strong cover, tight blurb, dialed metadata, compelling Look Inside.
  • Ads as accelerant: Start tiny on Amazon, Meta, or TikTok. Test audiences and creatives.
  • Search and SEO: Author name, series name, genre keywords. Make Google your friend.

A Simple Weekly System

  • Write: 5 sessions. Protect them like a dragon hoard.
  • Nurture: 1 email or community post with value or a peek behind the curtain.
  • Grow: 1 outreach action. Pitch a podcast, DM a creator, apply for a promo.
  • Promote: 2 evergreen posts or clips that spotlight your hook.
  • Measure: 20 minutes on metrics. Keep doing what moves the needle.

Metrics That Matter

  • Email list growth and open rate
  • Conversion on your retail pages
  • Cost per click and cost per new reader
  • Read-through across a series
  • Reviews per 100 sales
  • Time on page for your first chapter or sample

Common Mistakes to Avoid

  • Hiding behind the book: You are part of the product. Readers follow people.
  • Launching cold: Build a list and a conversation before release week.
  • Random acts of marketing: Pick a plan and stick to it for at least one quarter.
  • Chasing every trend: Choose one lane you can sustain.
  • Forgetting the back end: No clear next step means lost momentum.

Make Them Talk About You

  • Own a theme or hill to die on: A point of view readers can quote at dinner.
  • Name your world or promise: A catchy series name or manifesto line helps memory stick.
  • Deliver delight moments: Unexpected bonus scenes, secret epilogues, surprise art drops.
  • Invite participation: Polls, challenges, reading sprints, live Q&A.
  • Close with an ask: If you loved it, tell a friend, leave a review, join the list. Simple and direct.

Now, for all this free advice…My latest creation The Big Beautiful Book of Stupid Shit is almost ready for publication. If you like what you read, give me a follow, a thumbs up, hell repost it for me because what I have written will not only assist other writers but this book which is as large as “The Big Beautiful Bill.” is almost ready.

Thanks and much Love…

AuthorScott

Is it him, or is it you?

Is it him, or is it you?

Let’s talk about this mess we call political theater, shall we? Because holy shit, the amount of stupid shit happening on the world stage these days is staggering. It’s like watching a soap opera, but with worse scripts, uglier actors, and way more assholes. Social media, of course, eats this crap up. Every time a politician stumbles—physically, verbally, or just by existing—you’ve got the same lineup of Twitter warriors ready to pounce. They’re like rabid dogs foaming at the mouth, eager to unleash a fresh “buffoon” meme just so they can feel something inside their cold, dead hearts. But here’s the thing: how much of the shitstorm we see is real, and how much of it is just a big, steaming pile of manufactured chaos? Buckle up, because I’m about to take you behind the curtain of one of the dumbest political spectacles I’ve ever seen.


The UN Incident: A Shitshow for the Ages

Alright, so recently, our fearless president (pause for laughter) was at the United Nations doing his thing—you know, standing at a podium, attempting not to piss off the entire world. Pretty standard day for a world leader.But, oh no, the man looked a little wobbly at the microphone, and the internet collectively shit its pants. Cue the “He’s a moron!” comments. “What a buffoon!” someone shouts. “Did he forget how to human?” chimes in another. Honestly, it’s like a goddamn sport at this point, and these people are playing for the championship title of “Biggest Internet Dickhead.”But wait—because here’s the part no one talks about. You know, the part where the universe decided to fuck with him just to see if he’d break.First, the escalator incident. Picture this: the president and first lady are riding an escalator on their way up to the stage. Seems simple enough, right? WRONG. Because mid-ascent, some genius decides to turn off the goddamn escalator. Who the hell even does that?! I’m not saying it was a secret assassin-level mission to make them faceplant, but let’s be honest—it would’ve made for some killer viral footage. One wrong move, and we’d all be watching a slow-motion tumble meme for the next decade.But wait—because the shitstorm wasn’t done brewing.Next up, our guy makes it to the microphone, probably thinking, “Well, at least I didn’t fall on my face.” And BAM! The teleprompter dies. Just straight-up goes dark like someone unplugged it to charge their phone. Now, I don’t care who you are—when you’re standing in front of the world’s most powerful leaders and your script disappears, you’re gonna sweat a little. Hell, most of us would burst into tears and fake a fainting spell just to GTFO.But not this guy. Oh no. He decides to go rogue and wing it. He cracks some jokes, throws in a few ad-libs, and keeps the train rolling. Classic Trump. Of course, this makes his haters absolutely lose their fucking minds. Because God forbid he tries to lighten the mood when the teleprompter gods have clearly conspired against him.


The Double Standard: Could You Do Better, Karen?

Let’s take a moment to reflect: What if this shit happened to you? Imagine you’re at work, giving the most important presentation of your life, and suddenly someone yanks the PowerPoint out from under you. Oh, and they also turned off the elevator on your way up, so you had to awkwardly stumble into the room, already sweaty and pissed off.Could you keep your cool? Would you ad-lib your way to greatness? Or would you stand there like a deer in headlights while Brenda from accounting live-tweets your breakdown? Be honest—you’d fucking crumble. But when it’s a public figure, we just grab our popcorn and laugh like we’re watching a shitty sitcom.


The Reality of Political Theater

Here’s the thing: politics is one big circus. And not the fun kind with popcorn and elephants—it’s the kind where everyone’s drunk, the clowns are creepy, and someone’s probably going to get stabbed. What we see on social media is just the surface-level stupidity, carefully edited for maximum outrage. But behind the scenes? It’s a goddamn war zone. People are setting traps, pulling stunts, and spinning narratives like their lives depend on it.The escalator didn’t just “stop.” The teleprompter didn’t just “malfunction.” Shit like this doesn’t just happen. It’s all part of a bigger game, and we’re the idiots sitting in the bleachers, cheering for the chaos.


Final Thoughts: Humanity Is Exhausting

Look, I get it. Politicians aren’t exactly easy to love. Most of them are rich, out-of-touch, and probably don’t know how much a gallon of milk costs. But at the end of the day, they’re still human. They trip. They sweat. They get sabotaged by escalators and teleprompters from hell. And maybe—just maybe—we should cut them a little slack.Or don’t. Honestly, it’s more fun to watch people lose their shit over stupid things. Just remember: the next time you see a viral clip of someone “failing,” there’s probably more to the story. Or maybe there’s not, and they really are just a buffoon. Either way, political theater is just another chapter in the never-ending saga of stupid shit humans do.

Let’s get one thing straight: if you hate this president, there’s absolutely nothing—and I mean nothing—he could ever do to make you say anything remotely nice about him. Period. Full stop. End of story. He could personally save your dog from a burning building, hand you a wad of cash, and solve your student loan debt, and you’d still find a way to say, “Yeah, but he’s still a dick.”And don’t even get me started on the media. Those guys are like a pack of rabid hyenas, frothing at the mouth to tear apart every single thing he does. The coverage is, what, 97% negative? Ninety-freaking-seven percent. That’s about as close to unanimous hatred as you can get without someone sending out a “Destroy Trump” group email.


Meanwhile, Back in Reality…

Here’s the kicker: the country is actually doing better than it has in years. Let me say that again for the people in the back: things are going pretty damn well.Crime? Down. D.C., which is basically a madhouse on a good day, is somehow safer than it’s been in a while. Your dollar? Worth more. The economy? Chugging along nicely. But does any of that matter to the people who hate him? Hell no. He could literally cure cancer tomorrow—like, “Hey guys, I found the cure, it was in my sock drawer the whole time,”—and the haters would still lose their minds.“Oh, but why didn’t he cure it sooner?”
“This is just a distraction from [insert random scandal here]!”
“Sure, he cured cancer, but what about climate change?”
“Why is he even wearing socks?!”It’s like people are determined to hate him, no matter what. He could walk on water, and they’d just complain about how his shoes got wet.


The Bottom Line: Some People Just Wanna Hate

Look, I’m not saying you have to love the guy. Hell, you don’t even have to like him. But let’s at least be honest here: if you hated him from the start, you’re never going to give him credit for anything. It doesn’t matter what he does. He could fix the economy, solve world hunger, and rescue a kitten from a tree, and you’d still find a way to call him an asshole.And honestly? That says more about you than it does about him.So, go ahead and keep hating. But at some point, maybe take a step back and ask yourself: Am I mad because he’s actually terrible, or am I just mad because it’s trendy to hate him? Either way, congratulations—you’re officially part of the political theater circus. Grab some popcorn and enjoy the show.

Why ‘Ask Your Doctor If Death Is Right for You’ Works

Why ‘Ask Your Doctor If Death Is Right for You’ Works

Years ago I worked at an advertising agency. We had to be creative. Today while watching the news I was shocked by the big pharma ads. The tag line: is death right for you, came to mind.

Thinking back to those days, I formulated an ad campaign that would never get played, but it should. Do we really need pills that keep us hooked on more pills to fix the side effects of those pills?

Tell me what you think.

Alright, team. Gather ‘round. I’ve got a pitch for you that’s equal parts brilliance, absurdity, and just the right amount of “what the actual f***.” You’re going to love it. Or hate it. Either way, we’re making history—and probably pissing off Big Pharma in the process.

Picture this: A pharmaceutical commercial. But not just any pharmaceutical commercial. Oh no, this isn’t your run-of-the-mill “cure one thing, destroy seven others” nonsense. This is bold, it’s darkly funny, and it’s honest. Strap in, because I’m about to sell you the next big thing in healthcare advertising.

Opening Scene: A Hallmark Dream

We start with the usual formula—because let’s face it, the best parody thrives on clichés.

Imagine a serene meadow: golden sunlight pouring through the trees, a golden retriever frolicking in slow motion, and a woman spinning in circles like she just discovered her life has been sponsored by Xanax. The piano music? Uplifting. The visuals? Pinterest-worthy. The voiceover? Smooth as silk.

“Are you tired of your minor discomfort? Is that pesky rash ruining your Tuesday? Does your slight headache feel like the universe is conspiring against you? Introducing PanaceaX™—because being mildly inconvenienced is clearly the worst thing that can happen to you.”

Cue the woman laughing with her family. She’s baking cookies with zero regard for her gluten intolerance. The dog’s wagging its tail like it’s auditioning for a Disney movie. You feel warm, cozy, safe. But then… oh, then, the voiceover takes a turn.

The Twist: Side Effects from Hell

“Side effects may include nausea, dizziness, dry mouth, explosive diarrhea, uncontrollable vomiting, hallucinations, existential dread, spontaneous combustion, and, oh yeah—death.”

Pause for dramatic effect.

“Ask your doctor if PanaceaX™ is right for you.”

Now, let’s linger on this for a second. Death. We’re not even trying to sugarcoat it. We’re leaning all the way in. Because, let’s be real—half the drugs on the market already come with side effects that sound like rejected horror movie plots. Why not own it?

The tagline? Simple, catchy, and just the right amount of nihilistic charm:

“PanaceaX™: Because if you’re gonna die anyway, you might as well do it medicated.”

Now, I know what you’re thinking: “But how do we make people laugh about something as horrifying as spontaneous internal bleeding or uncontrollable rage?” Easy. We do what pharmaceutical ads already do—bury it under a montage of happy people living their best lives. Except we call attention to how absolutely insane it is.

The voiceover speeds up, auctioneer-style. You know the drill: “Nausea. Vomiting. Headaches. Diarrhea so explosive it’ll put food poisoning to shame. Dry mouth so bad you’ll think you’ve been licking sandpaper. And for those of you lucky enough to hit the jackpot: sudden personality changes, hallucinations, and the occasional bout of spontaneous combustion. PanaceaX™: Because nothing says ‘healthcare’ like becoming a walking dumpster fire.”

Meanwhile, the visuals continue to show people doing things that have nothing to do with the drug. A dad teaching his kid to ride a bike. A couple on a beach. A grandma knitting a sweater for her cat. No one’s vomiting. No one’s combusting. It’s all lies. But that’s the beauty of it.

Let’s Talk About the Rare Side Effects

Now, this is where we really shine. These aren’t your run-of-the-mill “oops, I sneezed too hard” side effects. Oh no. These are the real gems. The ones that make you question your life choices.

Uncontrollable Rage: Perfect for holiday dinners with the in-laws.

Sudden Hair Loss: Because bald is the new black.

Loss of Taste: Both literal and metaphorical. Say goodbye to your sense of flavor and your fashion sense.

Spontaneous Internal Bleeding: A fun surprise for everyone involved.

Death: The ultimate cure for all ailments. Guaranteed 100% effective every time.

And we have to include this one: “May cause an irrational fear of ducks.” Why? Because it’s weird, it’s random, and it makes people pay attention.

The Irony of It All

Here’s the kicker, folks: The diseases these drugs are treating? They’re usually not that big a deal. Heartburn? Allergies? A little anxiety? You don’t need a pill for that—you need a nap and a decent therapist. But no, we’ve been conditioned to think that every minor inconvenience requires a chemical solution. And let’s be honest, we eat it up. Why? Because the ads show us what we want to see: happiness, health, freedom.

That’s the genius of it. They dangle the perfect life in front of us, and we bite. Even if the fine print basically says, “May cause your organs to implode.”

Final Scene: The Closing Pitch

So here’s how we wrap it up. The screen fades to black. The piano music swells. The logo for PanaceaX™ appears, glowing softly. And the voiceover delivers the final line with just the right amount of smug optimism:

“PanaceaX™: Ask your doctor if death is right for you. (Spoiler alert: It probably is.)”

Cue the woman spinning in the meadow one last time, but this time, she’s holding a giant bottle of PanaceaX™ like it’s the Holy Grail.

Why This Works

This pitch is self-aware, sarcastic, and just unhinged enough to go viral. It pokes fun at the absurdity of pharmaceutical advertising while staying true to the format. It’s dark, it’s funny, and most importantly—it’s memorable. People will be quoting, “Ask your doctor if death is right for you” for years.

So, what do you think? Are we ready to take the pharmaceutical world by storm, or should we just prescribe ourselves a big ol’ dose of “f*** it” and call it a day?

A Taste of Stupid Shit (Coming Soon to a Brain Near You)

That, my friends, is just a tiny sample of the glorious nonsense you’ll find in The Big Beautiful Book of Stupid Shit, which is currently in the editing process. Yes, I’m editing it—because apparently, society frowns upon just flinging raw stupidity into the world without a little polish. Go figure.

I’m hoping to release it in the next few weeks because, let’s be real, the world desperately needs this. We’re drowning in stupidity every day—on TV, on social media, at family reunions—and someone (me) needs to catalog it, mock it, and gift-wrap it for your reading pleasure.

So, do me a favor: subscribe, follow, comment, and tell me what you think. Or don’t. I’m not your mom. But if you do, you’ll get to say you were here before this book becomes the literary equivalent of a viral cat meme. And let’s face it—who doesn’t want that level of cultural credibility?

Go forth, let your voice be heard and spread the word far and wide. Or don’t. No matter what, this book will come to fruition, and it promises to be an exceptionally enjoyable experience. Stay tuned, and prepare for comedy gold written in bite-sized chapters that will have you laughing as if you were at a live show.

-Best

Are Premium Writing Tools Worth the Investment?

Are Premium Writing Tools Worth the Investment?


Writers with a lifelong passion for the written word and the craft of storytelling often recognize the importance of using the right tools to bring their ideas to life. For those who have explored genres ranging from psychological thrillers with dark, erotic edges to humorous works like my work in progress, “The Big Beautiful Book of Stupid Shit,” every project demands a unique approach. Expensive writing tools—designed to refine grammar, enhance prose, and assist with plot development—are becoming an integral part of the writing process. But are they worth the investment for seasoned writers? Let’s explore.
Why Consider Premium Writing Tools?
Writers who are equally fascinated by both the arts and technology often look for ways to combine these passions to improve their craft. Writing tools have evolved far beyond basic spell checkers and are now sophisticated programs capable of analyzing tone, identifying plot holes, and suggesting improvements to elevate any piece of writing.
For authors who work on a wide range of projects—whether humorous critiques, science fiction adventures, or dark psychological thrillers—these tools serve as a valuable second pair of eyes. They ensure that stories remain polished, engaging, and free of errors.
How Writing Tools Can Help (and Where They Shine)
Expensive writing tools offer several features that make them worth the investment. Here’s how they can enhance different aspects of writing:
Grammar and Clarity
Even the most experienced writers can miss grammatical errors, unclear sentences, or awkward phrasing. Tools like Grammarly Premium or ProWritingAid go beyond simple corrections by analyzing sentence structure, suggesting concise alternatives, and highlighting overused phrases. For example, in a psychological thriller, where every word must carry weight, having a tool that ensures clarity is invaluable.
Style and Tone Analysis
Capturing the right tone is crucial in writing. Tools like Hemingway Editor make sure that the writing is accessible and punchy, pointing out overly complex sentences and passive voice. AI-driven tools like Sudowrite take this further by suggesting stylistic changes to match the intended tone, whether it’s sharp wit, emotional vulnerability, or urgent tension.
Plot Development and Story Structure
Writing intricate narratives, such as science fiction or thrillers, often comes with the challenge of spotting plot holes or inconsistencies. Tools like Campfire Pro or Plottr allow writers to map out their stories, track character arcs, and identify gaps in the plot. These tools are particularly helpful when dealing with multi-layered storylines or weaving together multiple timelines.
Research Assistance
Writers with backgrounds in history, literature, or even technical fields like physics understand the importance of research in crafting believable worlds. Tools like Scrivener allow them to organize research alongside their writing, making it easy to reference important details without disrupting their workflow.
Collaborative Feedback
Writing is often a solitary craft, but feedback is essential to growth. Tools like Fictionary provide AI-driven developmental editing, helping assess pacing, tension, and character development. For writers who explore varied genres, having a tool that serves as a digital writing coach can make a significant difference.
Do Writers Really Need Expensive Tools?
For writers serious about honing their craft, premium tools can be a game-changer. These tools aren’t substitutes for creativity or hard work—they’re enhancers. The most compelling stories come from within, but even the best storytellers benefit from tools that refine their work and help their ideas shine.
For instance, while crafting a humorous book like Stupid Shit, tools can ensure comedic timing lands effectively and critiques of absurdity remain sharp. In a psychological thriller, these tools can help ensure tension builds naturally and characters’ motivations stay consistent throughout the narrative.
Balancing Technology with Creativity
Technology is only as effective as the person using it. Writing software cannot replace a writer’s unique voice, perspective, or creative spark. It’s easy to become overly reliant on AI-driven tools, but the heart of any story always comes from the writer.
These tools function more like sophisticated assistants—they highlight technical flaws, streamline the process, and organize ideas, but the artistry remains in the hands of the writer.
Are Expensive Writing Tools Worth It?
For writers passionate about storytelling and willing to embrace technology, investing in premium tools is a wise decision. These tools streamline the writing process, refine ideas, and ensure that every word on the page serves its purpose. Whether crafting an intricate psychological thriller or a humorous critique of human absurdity, writing tools help writers reach new creative heights.
The best advice for writers considering these tools? Start small, experiment, and choose the ones that align with your goals. Remember, writing tools are there to support the craft—not replace it.
Embrace the technology, refine your craft, and keep writing. At the end of the day, the world needs great stories—flaws and all.
What are your thoughts on premium writing tools? Have you used any of the ones mentioned here? Let us know in the comments!

What would you surrender for a story that won’t stop knocking?

What would you surrender for a story that won’t stop knocking?

I surrendered the glow. The soft, blue hum that filled the room after dinner. I set the remote down the way some people set aside sugar for Lent—deliberately, almost ceremonially—like I was laying a coin on a ferryman’s palm. The one-eyed monster blinked into its own reflection, and the living room exhaled. No laugh track. No canned cliffhanger. Only the fridge whispering, the clock ticking, the house going quiet enough for another world to speak.

That was the night my AR clicked on.

Not augmented reality. Author Reality. The dimension that lives behind every closed door and blinking cursor. It doesn’t need a headset, and it doesn’t apologize for being demanding. It’s the world that asks you to show up with the same seriousness you bring to your job, your family, your grief, your joy. It rewards the faithful, and it keeps its secrets from the curious who wander in for a minute and wander back out.

Is it worth it? Depends on what you want from a story: to be carried, or to build the boat.

Here’s the rhythm I’ve learned, the three-beat cadence of making a book: if I’m not writing, I’m editing. If I’m not editing, I’m sharing—sending flares from my lighthouse so readers can find the shore I’ve drawn by hand. The work doesn’t pause when inspiration does. The tide moves with or without me, and the only way to get anywhere is to put an oar in the water every day, even when the fog is thick.

In AR, everything means more than it looks. A mug of coffee stops being a mug. Steam rolls out like sea fog over the harbor city I sketched in a January notebook—the one with crooked alleys and market bells and a lighthouse whose stair treads know my footsteps by now. The keyboard isn’t plastic and wires; it’s a compass that points toward scenes I haven’t met and scenes I’m avoiding. The cursor blinks like a beacon: here, here, here. Come back to work.

Characters are the first to step through. They don’t knock; they appear mid-argument, mid-laugh, mid-betrayal, dragging weather from their world into mine. A woman with ink-stained fingers and a secret she thinks is hers to keep sits across a table I’ve never owned, tapping out a rhythm that nags me until I write it. A courier with a map stitched into his jacket refuses to sleep until I let him miss his train. They bring me their trouble and their hope and ask me to be brave enough to tell the truth about both.

Writing is the first excavation. It’s the rush of discovering a bone in the sand and imagining the whole animal in a heartbeat. Then comes editing—the archaeology that happens with a brush instead of a shovel. Line by line, brush, brush, brush. I dig out the clean edges of the story from the clay of my habits. I cut the clever lines that don’t serve the skeleton. I sand away the splinters of scenes that snag but don’t support.

Editing is humbling. It asks: if you were a reader with a train to catch and twenty minutes to spare, would you keep turning pages? It makes you honest. It makes you protective of the reader’s time like it’s your own. It teaches you that your favorite sentence is sometimes the one that has to go.

Then there’s the sharing. I used to call it marketing and feel like I’d swapped my compass for a billboard, but that was before I understood it as lighthouse work. A story without a reader is a ship locked in the bottle: complete, exquisite, invisible. So I keep the glass polished. I write the note that says, “This is the world waiting inside,” and I send it in a thousand bottles. I accept that some will wash back to my own feet. I light the lamp again tomorrow. Maintenance isn’t glamorous, but neither is missing land because the light went out.

What did I trade for this? The easy glow of someone else’s story. The comfort of predictable arcs and neat resolutions. I traded hours that evaporated into hours that accrue. The time I used to float became time I build.

Not all trades feel noble. There are nights when the couch calls me by name, when the news scrolls like a slow-motion car wreck and every good show has three seasons ready to swallow me whole. There are mornings when the alarm sounds like a dare. I don’t always win. But I keep a little ledger—a trade log that tells me, honestly, what I gave up and what I made instead.

Gave up: an hour of television, a mindless scroll, a snack I didn’t need. Built instead: 827 words that moved a character from lying to telling the truth. Reshaped a chapter so the secret doesn’t leak too soon. Jotted a note about how the lighthouse uses a lens I’d never heard of before—Fresnel, a word that tastes like a bell.

Some nights the ledger holds only this: showed up. Sat with the blank and did not run. That counts. That’s a bead on the string.

Is it worth it? I don’t pretend I don’t miss the weightless time. Ease is its own kind of bliss. But there’s another kind: the exhale that comes when a paragraph clicks into place after a week of sanding. The email that says, “I brought your character to the doctor with me; she kept me company in the waiting room.” The message that says, “I didn’t think anyone knew how this felt until I read your chapter.” Those are the moments when the ledger pays interest.

Author Reality is not glamorous. It’s not a montage scored to moody piano. It’s a series of ordinary choices that turn into extraordinary pages. It is the practice of saying no to something pleasant so you can say yes to something that will outlast you. It’s a room you have to reenter every day because the door locks when you leave. And it is, somehow, always worth the key.

Maybe you feel the familiar itch in your palms. The tug toward building instead of consuming. The quiet knowing that you are meant to make something you cannot yet see the edges of. If that’s you, come with me. We can navigate together, even in different boats.

Here’s how to open your AR door:

For one week, switch off the one-eyed monster. Thirty minutes a day is enough to crack the seam between here and there. Put your remote in a drawer, set a timer, and let silence stretch long enough to get uncomfortable. On the other side of discomfort is a voice that wants to talk to you.

Choose your role each day so you don’t fight your own weather. Calm sea? Write new words, even if they’re ugly. Wind picking up? Edit yesterday’s draft with gentle eyes. Fog horn blowing? Share a piece—a paragraph, a line, a feeling—with someone who might need it. Writing, editing, sharing. Every day has a job.

Keep a tiny trade log. One line. What you traded. What you built. Gave up: 40 minutes of scrolling. Built: 3 new pages and a better scene transition. Gave up: a second helping of dessert. Built: the energy to reread my own work without hating it. The log is proof. The log is a map.

Offer a postcard from your AR. A sentence, a sketch of a character, a logline that scares you a little to say out loud. Tell me why it matters to you. We anchor each other when we speak our worlds into air.

You don’t need a headset to live in augmented reality. You need intention. You need a door you’re willing to close and a light you’re willing to switch on. You need the courage to choose your story over the millions that want to borrow your attention for free and charge you with regret later.

I won’t pretend it’s easy to keep that light burning. But I can promise this: the worlds we build in AR have a way of building us back. They give us patience and precision and a tenderness for our own imperfect drafts. They teach us to wait for the fog to lift and to move forward anyway, even when it doesn’t. They send back echoes in the shape of readers who bring our characters to breakfast, to chemotherapy, to bed. They make meaning out of minutes.

The light is on. The keys are warm. The door is unlocked. If you’re ready, step into your AR. Leave your shoes at the threshold and carry only what you need: your stubbornness, your curiosity, a pen that doesn’t mind being chewed. I’ll be in the lighthouse, keeping watch, sending signals. When your boat appears on the horizon, I’ll wave you in.

We have worlds to make.

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The Power of Neighborly Love in Today’s World

The Power of Neighborly Love in Today’s World

Can we sit a spell and talk?

This post is quite different from my previous post about my latest novels.

I’ve been thinking a lot about family, friends, and the folks whom I care about, some of whom live a few doors down. For the last nine months, it seems like people are mad at things none of us can control, and that anger spills onto the people right beside them—at home, at school, and especially online.

I miss the days of front-porch talks after church, your great‑grandmother’s fried chicken and lemonade, and the squeals of kids on the swings and that dizzy old merry‑go‑round. I miss running through the sprinkler as a child and chasing fireflies with a mason jar after dark—when just holding someone’s hand could make your heart flutter. You might not be there yet with those feelings—and that’s okay. One day you’ll understand. For now, just know there was a sweetness to those simple moments.

I blame social media and information overload for much of this. There are those who wish to control the narrative by spreading evil, yes, evil, through ignorance, both spewed by them and by those who are unwilling to see the hate for what it is, propaganda.

These days, it feels like there’s a different kind of bug going around—not a sickness of the body, but of the heart. I see rooms full of people, all together, and yet most eyes are glued to a screen. The trouble isn’t just social media itself; it’s that anyone, no matter their maturity, can throw words into the wind. Some of those words can poison minds and hearts. There are folks who know how to push your buttons—fear, anger, outrage—because those spread fastest. Love doesn’t trend as easily, have you noticed?

It’s Sunday for me—a day to pause and remember what can get lost without a little refresher. I saw some posts today that weren’t thought through, and it nudged me to share this: in a world of fences, passwords, and polarized feeds, being a good neighbor is a quiet revolution. Jesus put it simply: love your neighbor as yourself (Matthew 22:39). He also taught us to pray, “Forgive us our trespasses, as we forgive those who trespass against us” (Matthew 6:12). That gets real when your “neighbor” has hurt your feelings or crossed a line.

Why be neighborly—even to someone who offends you

It shows God’s heart: He is kind even to the ungrateful (Luke 6:35–36).

It breaks the get‑even cycle: overcome evil with good (Romans 12:21).

It frees your heart from bitterness (Ephesians 4:31–32).

It points people to the good news: like the Good Samaritan did (Luke 10:25–37).

It helps whole communities heal (Matthew 5:9).

What neighborly love is not

Not excusing harm. Wrong is still wrong (Isaiah 5:20).

Not boundary‑free. Guard your heart; rebuild trust slowly (Proverbs 4:23).

Not enabling. Restore gently, don’t permit harm (Galatians 6:1).

Not against justice. Accountability can be loving (Micah 6:8; Romans 13:1–4).

Not always reconciliation. Forgiveness takes one; reconciliation takes two (Romans 12:18).

A simple path for everyday misunderstandings

Start with your heart: pray for a clean heart and for the other person by name (Psalm 51:10; Matthew 5:44). Ask, “What’s my part?” (Matthew 7:3–5).

Choose a gentle tone: a soft answer turns away anger (Proverbs 15:1; James 1:19).

Talk privately and plainly. Example: “I want to be good neighbors. When the music’s loud after 10 p.m., I can’t sleep. Could we set quiet hours?”

Offer forgiveness: name the hurt and release the debt to God (Colossians 3:13). You may need to forgive more than once as feelings pop back up.

Seek solutions, not victory: small, practical compromises help everyone.

Ask for help if needed: bring one or two trusted people to mediate (Matthew 18:15–16).

Keep doing small kindnesses: a wave, a shared tomato, a hand with a bin (1 Peter 3:9).

Habits that grow a neighborly life

Pray for your street by name as you walk (Jeremiah 29:7).

Create regular touchpoints: porch time, a seasonal potluck, or a simple group chat for practical updates.

Be first to apologize: “I was short yesterday. I’m sorry.”

Serve together: pick up litter, organize a meal train, check on elders.

Keep short accounts: handle small irritations kindly and early (Ephesians 4:26–27).

Words you can borrow

To start: “I want a good relationship as neighbors. Could we talk about something on my mind?”

To share impact: “When X happens, Y is the impact for me. Can we find a solution that works for both of us?”

To forgive: “I was hurt by what happened. I choose to forgive you. Let’s move forward with clearer boundaries.”

To set a boundary: “I care about being good neighbors. I need X to feel safe. If X can’t happen, I’ll need to do Y.”

Scripture anchors

Love your neighbor: Matthew 22:37–39

Forgive as forgiven: Matthew 6:12; Ephesians 4:32; Colossians 3:13

Peacemaking and enemy‑love: Matthew 5:9, 38–44; Romans 12:17–21; 1 Peter 3:9

Gentle correction: Galatians 6:1; Matthew 18:15–17

Compassion in action: Luke 10:25–37

Do justice, love mercy, walk humbly: Micah 6:8

A short prayer Lord, make me a neighbor after Your heart. Give me courage to seek peace, grace to forgive, wisdom to set good boundaries, and love that overcomes evil with good. Make our street a place of safety, kindness, and hope. Amen.

A simple next step this week

Do one neighborly act: a hello at the mailbox, a thank‑you note, a bag of garden produce, or a text to set up a friendly chat.

Name one hurt you’re holding before God and choose to forgive. If it’s wise and safe, begin a gentle conversation.

Loving neighbors who trespass isn’t naïve—it’s following Jesus. It’s steady, courageous love that tells the truth, keeps boundaries, seeks justice, and keeps working for peace. And when your day comes to chase fireflies with someone who makes your heart flutter, I hope you’ll bring that same kind of love to your friendships and your neighborhood. I’m cheering you on.