Tag: emotions

Transform Anger into Understanding: The Art of Letter Writing

Transform Anger into Understanding: The Art of Letter Writing

I am the king… of Shit Head Letters—a title I wear with a mix of humor and humility. Allow me to explain.

Much like my latest project Stupid Shit, due to release soon, there’s a catharsis in writing these letters. When the world feels upside down, and someone you care about has poisoned the well with their grievances—whether over something significant or trivial—it’s easy to let emotions take over. But I’ve learned that going to bed angry or upset only deepens the chaos. Much like the butterfly effect, our words and actions ripple outward, shaping the world around us. So, what do I do with these letters?
I write them. I pour every ounce of frustration, every unspoken word, onto the page. But here’s the key: I don’t send them. Instead, I let them marinate. Over time, those raw, emotional drafts are massaged into something kinder, gentler, and more reasoned. They become a reflection of understanding rather than anger.

Why Not Lash Out?

It’s tempting, isn’t it? To tell the world how ignorant someone is because they don’t agree with you. But before I do, I ask myself:
“What if I’m wrong?”
What if my feelings are based on someone else’s misguided messaging? What if I’m reacting to a misunderstanding rather than the truth?I remind myself of this: 

Words are powerful. Use them to build bridges, not walls.

The Power of Words

In a world where opinions often clash, it’s easy to let emotions drive our responses. But hateful rhetoric doesn’t solve problems—it creates them. When we attack others out of anger, we risk escalating tensions and deepening divides. Hate speech, whether online or in person, has been linked to real-world harm, including violence and discrimination. Is that the legacy we want to leave behind?Hate doesn’t just hurt the target—it hurts you, too. Studies show that hateful content can lead to psychological distress for both the sender and the receiver. It damages relationships, reputations, and mental well-being.

Pause Before You Post

Before you hit “send” or “post,” take a moment to reflect:

  • Is this constructive or destructive?
  • Am I speaking from a place of understanding or anger?
  • Will this help solve the issue or make it worse?

Let’s Be the Change

Instead of spreading hate, let’s share ideas, listen to others, and build a community where everyone feels valued. The world doesn’t need more division—it needs more compassion. If you’re angry, write it out. Pound the keyboard until there’s nothing left but exhaustion. But don’t send it. Let it sit. Let it breathe. Until you can address the issue without emotions clouding your judgment, leave it alone.

I believe we can find common ground with anyone. Even if it’s as simple as agreeing on the color of the sky, there’s always a place to start. Let’s agree to disagree when necessary, but let’s also strive to find common ground where we can.

Much love,
A fellow human navigating this messy, beautiful world.

Show Don’t Tell

Show Don’t Tell

‘Show don’t tell’ is one of the foundational principles of writing, emphasizing the importance of vividly illustrating instead of simply stating.

The principle of “show, don’t tell” is a fundamental technique in writing that enhances storytelling by allowing readers to experience emotions and events more vividly. Here are several reasons this approach is effective:
Engages the Reader’s Imagination
When writers show rather than tell, they invite readers to interpret the emotions and actions of characters through descriptive language and sensory details. This engagement encourages readers to visualize scenes and feel emotions alongside the characters, creating a more immersive experience.
Creates Emotional Depth
Showing emotions through actions, dialogue, and body language adds layers to character development. For instance, instead of stating that a character is angry, a writer might describe clenched fists, a flushed face, and a sharp tone of voice. This method allows readers to understand the character’s emotional state more deeply and personally.
Enhances Character Development
Characters become more relatable and realistic when their emotions are demonstrated through their behavior. Readers can infer motivations and personality traits based on how characters react to situations, making them feel more authentic and complex.
Builds Tension and Conflict
By showing rather than telling, writers can create suspense and tension in a narrative. For example, a character’s internal struggle can be illustrated through their actions and decisions, allowing readers to sense the stakes without explicitly stating them. This technique keeps readers engaged and invested in the outcome.
Encourages Reader Interpretation
When writers show emotions and events, they allow readers to draw their own conclusions and interpretations. This active participation can lead to a more rewarding reading experience, as readers connect with the story on a personal level and reflect on its themes and messages.


Here are some basic emotions

Joy – A feeling of great pleasure and happiness.
Trust – A positive emotion characterized by reliance on someone or something.
Fear – An emotional response to perceived threats or danger.
Surprise – A reaction to unexpected events.
Sadness – A feeling of sorrow or unhappiness.
Disgust – A strong feeling of aversion or repulsion.
Anger – A strong feeling of annoyance, displeasure, or hostility.
Anticipation – A feeling of excitement about something that is going to happen.

Detailed or nuanced emotions.

Affection
Amusement
Anxiety
Apathy
Compassion
Confusion
Contentment
Curiosity
Despair
Disappointment
Empathy
Envy
Excitement
Fearfulness
Frustration
Guilt
Hope
Horror
Hostility
Interest
Jealousy
Loneliness
Nostalgia
Pride
Relief
Remorse
Satisfaction
Shame
Surprise
Tenderness
Worry


Examples:
Opening his birthday present, Tim was joyful when he saw the latest video game.

Opening his birthday present, Tim’s face lit up with joy as he saw the latest video game. He eagerly imagined the hours of fun ahead.


Tim was disappointed to learn he would have to wait to play the game until the weekend, as tomorrow was a school day.


The following example may be a bit excessive, but it effectively conveys his disappointment.

As Tim’s face fell, a deep furrow etched itself across his brow. His eyes, which had sparkled with anticipation just moments before, now held a hint of sadness. The corners of his mouth, which had been curved up in a hopeful grin, now turned downward, reflecting the weight of his disappointment. He sighed, a long, slow exhalation that seemed to carry the burden of his unmet expectations.
He stared at the game console, its vibrant colors and intricate graphics now a stark reminder of the fun he would have to postpone. His fingers, which had been itching to wrap around the controller, now drummed a slow, disheartened rhythm against the table.
The room, once filled with the excited chatter of friends eagerly discussing strategies and predicting outcomes, now fell silent, save for the soft ticking of the clock on the wall. The hands moved inexorably forward, marking the passage of time that Tim could not reclaim.
As the reality of his situation sunk in, Tim’s shoulders slumped, and his body language indicated his despondency. He glanced at his friends, their faces a mirror of his own emotions, and then back at the game console. The screen, with its glowing promise of adventure and excitement, now seemed cold and distant, a cruel reminder of the joy that was now out of reach.
With a final, resigned sigh, Tim turned away from the game, his eyes downcast, his heart heavy with disappointment. He knew he would have to wait until the weekend to play, but for now, he could only endure the long, slow hours until then.


Try your hand at it. Pick a couple of the basic emotions, tell the story, and then show the story.

If you want more of these types of interactions, share your thoughts or stories in the comments.

-Best