Tag: movies

Dissecting 2012: The Hero’s Journey Explained

Dissecting 2012: The Hero’s Journey Explained

I don’t always watch movies on TV, but when I do, it’s usually because I’ve run out of excuses to avoid them. Truth be told, the last time I sat down for a cinematic experience, Twisters was still blowing cows across the screen. Why the long hiatus? Well, when you’ve written over 90 million words (yes, I counted), your brain tends to treat “relaxation” like a mythical creature—something you’ve heard about but never actually seen. But hey, even the most overworked wordsmith deserves a mental vacation every now and then, right?

So, I decided to dust off my popcorn bowl and dive into 2012, Roland Emmerich’s epic disaster flick. But because I’m a writer (and therefore incapable of turning off my analytical brain), I thought it’d be fun to dissect the movie through the lens of the Hero’s Journey. If you’re not a writer, you might be thinking, “Why should I care?” And honestly, fair point. But stick around—there’s a good chance you’ll leave this with a newfound appreciation for both storytelling and John Cusack’s ability to outrun the apocalypse in a limo.

The Hero’s Journey: A Quick Crash Course

Before we dive into the fiery pits of 2012, let’s talk about the Hero’s Journey—a storytelling framework so universal it’s basically the avocado toast of narrative structures. Coined by Joseph Campbell, it’s the blueprint for every epic tale, from The Odyssey to Star Wars to, yes, 2012. Here’s the gist:

Ordinary World: The hero starts in their boring, everyday life. Think “before Frodo left the Shire” or “before Harry got his Hogwarts letter.”

Call to Adventure: Something shakes up the status quo. Usually, it’s a big ol’ problem that can’t be ignored.

Refusal of the Call: The hero hesitates because, let’s face it, saving the world sounds exhausting.

Meeting the Mentor: Enter the wise guide who says, “You’ve got this!” (or, in some cases, “You’re doomed, but good luck!”).

Crossing the Threshold: The hero leaves their comfort zone and steps into the unknown. Cue dramatic music.

Tests, Allies, and Enemies: The hero faces challenges, makes friends, and punches bad guys (or, in this case, dodges tsunamis).

The Ordeal: The big, climactic moment where everything’s on the line.

The Reward: The hero achieves their goal—or at least survives long enough to celebrate.

The Road Back: Time to head home, but not without a few more hurdles.

The Resurrection: The hero emerges transformed, wiser, and probably in need of a nap.

Return with the Elixir: The hero brings back something valuable to share with the world. (Spoiler: It’s usually not an actual elixir. Sorry.)

How 2012 Fits the Hero’s Journey (With a Dash of Chaos)

1. The Ordinary World

Meet Jackson Curtis (John Cusack), a struggling writer and part-time limo driver. His life is as ordinary as it gets—divorced, juggling kids, and probably wondering why his book sales are flatter than a pancake. If this were a sitcom, his biggest problem would be forgetting his ex-wife’s birthday. But alas, this is a disaster movie, so things are about to get way worse.

2. The Call to Adventure

Jackson stumbles upon a conspiracy theorist (Woody Harrelson, in peak “crazy guy with a radio” mode) who warns him that the world is about to end. Naturally, Jackson’s first reaction is, “Yeah, okay, buddy.” But then the ground starts cracking open like a dropped egg, and suddenly, Charlie’s ramblings don’t seem so far-fetched.

3. Refusal of the Call

At first, Jackson doesn’t take the whole “apocalypse” thing seriously. I mean, who would? But when Los Angeles starts collapsing faster than my New Year’s resolutions, he realizes it’s time to grab the kids and hit the road. Or, in this case, the sky—because nothing says “family bonding” like escaping in a private plane.

4. Meeting the Mentor

Charlie Frost, our lovable doomsday prophet, serves as Jackson’s mentor. Sure, he’s a little unhinged, but he’s got the inside scoop on the government’s secret arks (because of course there are secret arks). His advice? “Head to the Himalayas.” His delivery? Equal parts helpful and unhinged.

5. Crossing the Threshold

This is where things go from “bad” to “holy crap.” Jackson and his family narrowly escape a crumbling Los Angeles in a limo—a scene so over-the-top it makes Fast & Furious look like a documentary. They’re officially in the unknown now, where survival is the name of the game.

6. Tests, Allies, and Enemies

The Curtis clan faces obstacle after obstacle: collapsing cities, selfish billionaires, and the occasional volcanic eruption. Allies include a Russian billionaire’s kids (because nothing says “teamwork” like rich kids in peril) and a geologist who’s trying to save humanity. Enemies? Pretty much everything else, including gravity.

7. Approach to the Inmost Cave

The gang finally reaches the Himalayas, where the arks are being prepped. But there’s a catch: they don’t have tickets. (Pro tip: Always RSVP to the apocalypse.) Sneaking aboard becomes their next big challenge.

8. The Ordeal

This is the big one. A massive tsunami threatens to destroy the ark, and Jackson has to risk his life to save everyone onboard. It’s tense, it’s dramatic, and it’s exactly what you’d expect from a movie where the stakes are literally “the end of the world.”

9. The Reward

Jackson and his family make it onto the ark, securing their survival. Humanity gets a second chance, and Jackson gets to be the hero his kids always wanted him to be. Win-win.

10. The Road Back

As the waters recede, the survivors aboard the ark prepare to face a drastically altered Earth. It’s a bittersweet moment—kind of like realizing you’ve survived a marathon, only to remember you still have to walk home.

11. The Resurrection

Jackson’s journey transforms him into a braver, more selfless version of himself. He reconciles with his family, proving that even in the face of global annihilation, there’s always time for personal growth.

12. Return with the Elixir

The survivors represent humanity’s chance to rebuild. Jackson’s “elixir” isn’t a magical potion—it’s hope, resilience, and the knowledge that even in the darkest times, we can find a way forward. (Cue inspirational music.)

Why the Hero’s Journey Matters

The Hero’s Journey isn’t just a storytelling formula—it’s a mirror for our own lives. We all face challenges, doubts, and moments of transformation. Sure, most of us aren’t dodging tsunamis or sneaking onto arks, but the core themes—struggle, growth, redemption—are universal. And that’s why it works, whether you’re writing a novel, watching 2012, or just trying to survive Monday morning.

So, the next time you watch a movie, ask yourself: Where’s the hero? What’s their journey? And most importantly, could you outrun an earthquake in a limo? (Spoiler: Unless you’re John Cusack or have a death wish, the answer is a resounding “hell no.”) But hey, if you’re feeling confident, go ahead and try. Just make sure someone’s filming it so the rest of us can enjoy your inevitable failure on YouTube.

Speaking of disasters, have you signed up for my emails yet? No? Why the hell not? What are you waiting for—a personal invitation? Fine. Here it is:

Dear Reader, please sign up for my emails so I can spam you with my questionable wisdom and occasional nuggets of brilliance. Love, Me.

There. Now you have no excuse. Unless, of course, you’re one of those people who still uses AOL and thinks email is for “serious business only.” In which case, I can’t help you.

Now, let me tell you about my current juggling act. I’m working on not one, but two books at the same time. That’s right—two. Because apparently, I enjoy torturing myself. One of them is called Stupid Shit, which, let’s be honest, is probably why you’re here. The other one? 1300 Feet Per Second, which is a psychological thriller.

And because I’m such a generous soul, I even find time to share blog posts about stupid shit. Or, occasionally, not-so-stupid shit. You know, for balance. It’s like a treasure chest of wisdom, except instead of gold coins, you’re getting sarcastic commentary and unsolicited advice. But hey, treasure is treasure, right? So go ahead—take something from my trove of brilliance. Or at least pretend you already knew all this stuff so I can feel like I’m making a difference.

Have a nice Day!

“Trim the Tree”

“Trim the Tree”

“Trim the Tree”

How to Edit Your Stories and ‘Kill Your Darlings’ This Holiday Season.

Critiquing is one of the most important things we do in a writers’ group.

With Christmas almost here in December, I felt inspired to offer a posthumous critique of Irving Berlin’s work.

In case you don’t know, Irving Berlin wrote the movie “White Christmas,” released in 1954. He not only composed the music for the film but also contributed to its screenplay. The film features several of Berlin’s classic songs, including the iconic title track, originally debuting in his earlier work, the 1942 film “Holiday Inn.”

Truth be told, nobody wants to watch a movie with me. Why?

As a storyteller, I dissect movies. Since I penned my first novel, I can’t help myself. I am told by those who know that I should smoke pot before watching a movie so I can sit back and enjoy it.

Since I don’t smoke or do drugs, I guess I will have to be me and watch movies or read books as a solo act.

Like any artist or tradesperson, we learn from watching others and doing.

I went to see a theatrical production of White Christmas last weekend. The film’s soundtrack and other elements were all very memorable. I vividly remember every dance’s choreography and performance. The problem is that I also dissected the play and the film throughout the performance.

If we examine the plot points of the movie, they are:

War Flashback: The film opens with a flashback to Christmas Eve in 1944, where Bob and Phil perform for their fellow soldiers during the war. This sets the stage for their strong friendship and shared experiences.

Post-War Success: After the war, Bob and Phil establish themselves as a popular entertainment duo. They enjoy fame and success in the show business world.

Meeting the Sisters: While in New York, they meet a sister act, Betty (Rosemary Clooney) and Judy (Vera-Ellen), and become romantically involved with them. The sisters are also aspiring performers, which adds to the story’s dynamic.

The Vermont Inn: Bob and Phil learn that their former commanding general, General Waverly, is struggling to keep his Vermont inn afloat during the winter season. They decide to help him by organizing a Christmas show at the inn.

Planning the Show: The duo travels to Vermont with the sisters to put on a spectacular Christmas performance to attract guests and save the inn. They face various challenges, including weather issues and the general’s pride.

Romantic Developments: Throughout the film, romantic tensions build between Bob and Betty, as well as between Phil and Judy. Their relationships evolve as they work together to save the inn.

The Big Show: The climax of the film features a grand Christmas show, where all the characters come together to celebrate the holiday spirit. The performance is filled with music, dance, and heartfelt moments.

Resolution: The film concludes with a heartwarming finale, where the inn is saved, and the characters find love and happiness, embodying the spirit of Christmas.

If you or I wrote a novel with that much Serendipity, no agent would touch it.

If I’d written it, I would have done a better job describing the Haynes sisters and their cousin. Several times, the’ dog-faced boy’ is the comic relief or the glue that binds the sisters’ connection to their army buddies.

What are the odds they all end up at an inn in Vermont that just happens to be owned by General Waverly, whom the guys respect and love?

By the way, army folks help me out. Would you love a commanding officer who puts you in harm’s way?

Why not connect the dots?

How about making the dog-faced boy related to the general, which is how the Haynes sisters got the gig in the first place?

Why am I picking on a show I have loved my whole life?

Within our field, the regrettable necessity of forgoing cherished elements is unavoidable. As a result, all editing options continue to be available. We refer to this as killing our darlings.

Dissecting the movies or books you loved as a child or even today will make you a better writer.

Read, Dissect, Reflect…

As we gather around our loved ones this holiday season, let’s take a moment to reflect on our creative journeys. Just as we carefully select ornaments to adorn our trees, may we also embrace the art of editing, trimming our narratives to shine even brighter.

Remember, every cut you make is a step toward clarity and impact in your writing. So, as you cozy up with your stories this Christmas, don’t be afraid to ‘kill your darlings’ and make room for the magic that truly resonates.

Wishing you a Merry Christmas filled with joy, warmth, and inspiration. Happy editing, and may your words flow as freely as the holiday spirit! 🎄✨

Currently, there are numerous works in progress featuring magic, one of which is a pulse-pounding thriller where a forensic assassin, acting as a hired gun, tracks down villains through dimly lit alleyways and shadowy corners, the city’s heartbeat a constant hum in the background. Make sure to stay tuned for additional details.

Here are the recently penned novels, their covers promising untold stories.

Ephemera Tales of the Fleeting & Profound was just released. This is a book of short stories inspired by prompts from Reedsy.