Tag: publishing

Effective Book Marketing Strategies for Authors

Effective Book Marketing Strategies for Authors

As the Director of the Carrollton League of Writers, I talk a lot about marketing. Like, a lot. Why? Because, as a writer, you’re basically doing one of three things at any given moment: writing, editing, or trying to convince people to buy the damn thing you wrote. And let me tell you right now: that third one is where dreams go to die.

That’s why I tell people to keep their day jobs. Seriously. Writing is a business, sure, but half the time, it’s just a fancy way to justify a tax write-off. “No, honey, it’s not a failed hobby—it’s a business expense.” And let’s just say most writers aren’t exactly raking in Stephen King-level royalty checks.

But hey, I’m not here to crush your dreams of being the next EL James (although I could). Instead, let me help you out with some marketing tips. Because let’s face it: if you don’t sell your book, nobody’s gonna read it. Well, except for your mom—and even she might “accidentally” forget to finish it.

1. Develop a Book Marketing Strategy

This is step one, folks. Before you do anything else, you need a plan. I know, planning isn’t sexy or fun, but neither is explaining to your friends why your book has been on Amazon for two years and still has zero reviews.

Here’s the deal: set some goals, figure out who the hell you’re writing for (hint: it’s not “everyone”), and decide how you’re going to reach them. A clear marketing strategy will help you avoid wasting time on pointless crap that doesn’t work.

2. Build Your Author Platform

Look, if nobody knows who you are, nobody’s gonna care about your book. That’s where your author platform comes in. It’s basically your online stage—so make sure you don’t look like a total amateur while you’re standing on it.

Create an Author Website: Think of this as your digital home base. It’s where people will go to learn about you, your book, and why they should give you their money. Plus, it’s a great place to collect email addresses for future marketing. (Yes, we’re going to talk about email lists later, so don’t roll your eyes yet.)

Engage on Social Media: This is where you can pretend you’re a celebrity, even if you’re just a writer with 12 followers and a lot of opinions about coffee. Platforms like Twitter, Instagram, Facebook, and TikTok are your friends—if you use them right. Post updates, share behind-the-scenes tidbits, and actually interact with people. Nobody likes a self-promotional robot.

3. Prepare for Launch

Your book launch is a big freaking deal. It’s like a party, except instead of booze and karaoke, you’re hoping people will buy your book and leave nice reviews. So, yeah, slightly less fun, but still important.

Write a Killer Author Bio: This is your chance to convince readers that you’re an actual human being and not some faceless entity who churned out a book because ChatGPT told you to. Be relatable. Be funny. (Or don’t be funny, if that’s not your thing—but at least try to be interesting.)

Build a Launch Team: Gather a group of people who are willing to hype you up. These could be friends, family, or random strangers you bribed with the promise of free copies. They’ll leave early reviews, share your book on social media, and generally make you look like you’ve got a whole squad cheering for you.

Find Reviewers: Bloggers, influencers, that one book nerd you know—they’re all fair game. Reviews matter. A lot. Especially on platforms like Amazon. Without them, your book might as well not exist.

4. Optimize Your Book’s Online Presence

Your book’s online presence is like its dating profile. If it’s boring, confusing, or full of typos, nobody’s swiping right.

Metadata and Keywords: This is the boring part, but it’s super important. Make sure your book’s title, description, and keywords are optimized for search engines. Basically, make it easy for people to find your book when they’re browsing online.

Decide Where to Sell: Amazon is the obvious choice, but you’ve got options. You could go exclusive with Kindle Direct Publishing (and maybe Kindle Unlimited) or distribute your book more widely. Just know that Amazon is kind of like the popular kid at school—if you’re not hanging out there, you’re probably missing out on a lot of attention.

5. Promote Your Book

Here’s where the real hustle comes in. You’ve got to put yourself out there and make people want to read your book.

Leverage Social Proof: Translation: beg readers to leave reviews. The more people are talking about your book online, the more likely it is that others will check it out.

Reach Out for Publicity: Bloggers, podcasters, and media outlets can help spread the word. Guest blogging and podcast interviews are great ways to get in front of new audiences. Plus, you get to feel important for a hot second.

Run Promotions: Discounts, giveaways, limited-time offers—these are all great ways to generate buzz. Everyone loves free stuff, so use that to your advantage.

6. Keep the Momentum Going

Here’s the thing about book marketing: it doesn’t stop after your launch. If you want your book to keep selling, you’ve got to keep working at it. (Yeah, I know. It sucks. Welcome to the grind.)

Build an Email List: Remember when I said we’d talk about email lists? Well, here we are. Use your website and social media to collect email addresses, then send out regular newsletters to keep your audience engaged. Think of it as your personal fan club.

Keep Marketing: Try new things. Experiment. Fail. Learn. And then try again. Marketing is an ongoing process, and the more you do it, the better you’ll get.

Start thinking about marketing before you finish your book. I know, it’s tempting to just focus on the writing and hope people will magically find your work later, but that’s not how it works. The earlier you start planning and building your platform, the better your chances of success.

And hey, if all else fails, at least you can say you gave it a shot. Worst case scenario, you’ve got a great story to tell at parties: “Remember that time I tried to be a famous author? Yeah, that was wild.”

If you want me to dig deeper into any of these steps—or if you just need someone to commiserate with—I’m here for you. Let’s make your book the next big thing (or at least a thing).

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How to Craft a Compelling Author Bio for Your Book

How to Craft a Compelling Author Bio for Your Book

After spending months or even years pouring your heart into writing a book, it’s natural to ask yourself: What else goes into this book to make it complete? Beyond captivating stories or compelling content, one of the key elements that often gets overlooked is the author bio.

The back-of-book biography is your chance to make a memorable first impression on readers. Keep it short, relevant, and engaging. Focus on what makes you the right person to have written this book, and sprinkle in a touch of personality to make it relatable.

Whether you’re a seasoned author or publishing your first book, your bio is an opportunity to connect with your audience, so make it count!

As our writers group, The Carrollton League of Writers, is working on compiling a book of short stories,

I’ve been thinking a lot about author bios. With multiple contributors, we’ve decided to dedicate a “Meet the Authors” section in our book, offering each writer a chance to connect with readers. Even with more space available in this section, understanding the art of crafting a concise, back-of-book author bio is essential.

So, what exactly goes into an author bio for the back of a book? Let’s break it down.

What Is a Back-of-Book Biography?

A back-of-book biography—often called an author bio—is a brief, engaging snapshot of who you are as a writer. It’s designed to introduce you to readers, build a connection, and establish your credibility. This small piece of text can have a big impact on how readers perceive you and your work.

Key Elements of a Back-of-Book Biography

Here’s what to include for a polished, professional author bio:

1. Brevity

Keep it short and sweet. A back-cover bio is typically no more than a sentence or two. There’s no room for your full life story here—focus only on the essentials.

2. Relevant Credentials

Highlight any qualifications, experiences, or achievements that relate to your book. For example:

Are you a former detective writing a crime thriller? Mention it.

Writing about personal finance? Note your professional background in the field.

3. Personal Touch

Include a relatable or humanizing detail, like where you live, a hobby, or a quirky fact. This helps readers connect with you on a personal level.

4. Tone

Match the tone of your bio to the tone of your book.

A humorous book might call for a witty, playful bio.

A serious nonfiction work should strike a professional, polished tone.

5. Current Work or Achievements

If you’ve published other notable works or received awards, this is the place to highlight them. Mention only the most impressive or relevant ones to keep it concise.

6. Call to Action (Optional)

You can include a website, social media handle, or email for readers who want to connect or learn more about you. This is optional but can be a great way to engage your audience beyond the book.

What to Avoid in Your Author Bio

1. Too Much Detail

Save the lengthy biography for the inside of the book or a dedicated “About the Author” page. The back-of-book bio should be quick and to the point.

2. Overshadowing the Book

The bio is there to complement the book, not steal the spotlight. Don’t let it distract from the main event: your writing.

Example of a Back Cover Author Bio

To give you an idea, here’s a simple yet effective example:

Jane Smith is a former marine biologist whose adventures at sea inspired her debut novel. She lives in Seattle with her two cats and a love of coffee.

This bio is concise, includes relevant credentials, adds a personal touch, and matches the tone of the book (which might be a fun, adventure-filled tale).

But what about the Author page? you might ask…

Here’s an example of what a more detailed “About the Author” page might look like, followed by an explanation of how it differs from a back-of-book bio:
About the Author
Jane Smith is a former marine biologist turned novelist who draws inspiration from her years of exploring the oceans. During her career, she spent over a decade researching coral reef ecosystems and leading deep-sea dives, experiences that serve as the foundation for her debut novel, Beneath the Waves.
Jane holds a Master’s degree in Marine Biology from the University of Washington and has published several academic papers on marine conservation. After transitioning from science to storytelling, Jane discovered her passion for weaving gripping adventures with environmental themes, which she hopes will inspire readers to appreciate and protect the natural world.
When she’s not writing, Jane enjoys kayaking along the Pacific Northwest coastline, photographing wildlife, and experimenting with sustainable gardening. She currently lives in Seattle with her two cats, Luna and Neptune, and an ever-growing collection of sea glass.
You can learn more about Jane and her work by visiting her website at http://www.janesmithwrites.com or following her on Instagram at @janesmithwrites.
How a Dedicated About Page Differs from a Back-of-Book Bio
The “About the Author” page is much longer and more detailed compared to a back-of-book bio, and here’s how they differ:

  1. Length and Detail
    Back-of-Book Bio: Short and concise—usually just 1-3 sentences meant to give readers a quick introduction to the author.
    Example: Jane Smith is a former marine biologist whose adventures at sea inspired her debut novel. She lives in Seattle with her two cats.
    About Page: Longer and more comprehensive, allowing the author to go into greater detail about their background, education, career, and personal life.
  2. Purpose
    Back-of-Book Bio: Its primary purpose is to establish credibility and give a brief personal touch, helping readers understand why the author is qualified to write the book.
    About Page: Designed to provide a fuller picture of the author, including their expertise, motivations, hobbies, and potentially their journey as a writer, creating a deeper connection with the audience.
  3. Tone
    Back-of-Book Bio: Matches the tone of the book and is usually professional yet approachable (e.g., witty for a humorous book, formal for serious nonfiction).
    About Page: Can be more conversational and personal, giving readers insight into the author’s personality and life beyond the book.
  4. Call to Action
    Back-of-Book Bio: Sometimes includes a subtle call to action, like a website or social media handle, but this isn’t always included.
    About Page: Almost always includes links to the author’s website, social media, or other works, encouraging readers to engage further.
  5. Audience
    Back-of-Book Bio: Targets readers who are deciding whether to purchase or read the book.
    About Page: Targets readers who want to learn more about the author after enjoying their book or discovering their work online.
    When to Use Each
    Back-of-Book Bio: A must-have for any book, as it’s often the first impression readers get of the author.
    About Page: Ideal for an author’s website, blog, or even the back matter of a book for readers who want to dive deeper into the author’s life and work.
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How Authors Can Thrive in the Digital Age

How Authors Can Thrive in the Digital Age

A lot of you are staring at flat sales and asking me the same thing I see in my inbox every week: are people still reading?

Short answer: yes. Longer answer: hell yes, but reading has changed outfits. People still love romance, fantasy, and thrillers, yet a lot of them are grabbing audiobooks, e-books, and snackable serials on Wattpad and Substack. Attention is a fragile little beast, so readers also go for shorter, punchier stuff, or they want summaries and adaptations like podcasts and quick recaps that fit between life, work, and whatever Netflix is feeding them tonight.

Where Are People Reading?

  • Online platforms: Wattpad, Kindle Direct Publishing, Substack, and even Reddit are buzzing with new voices and weirdly passionate niche communities.
  • Social media: Instagram’s Bookstagram, TikTok’s BookTok, and Twitter’s BookTwitter can catapult a book from “who the hell is this?” to “I saw that everywhere.”
  • Audiobooks and podcasts: Multitaskers unite. People listen while commuting, cleaning, working out, or pretending to stretch.

Why, you might ask. Have you listened to the news? Then you know the answer.

How Can an Unknown Writer Get Known Today?

1) Social media is a tool, not a religion

  • Use it if it helps. It’s great for visibility, networking, and actually talking to readers, but it shouldn’t swallow your writing time.
  • Yes, some authors thrive with little or no social presence. They are the exception. For most of us mortals, social helps put the work in front of eyeballs.

2) Other ways to get noticed

  • Self-publishing: KDP and Wattpad can get your work to readers without asking anyone’s permission.
  • Newsletter and email list: Gold. You own that relationship, and it beats shouting into the algorithm void.
  • Collaborations: Guest posts, podcast interviews, swaps with other writers. Borrow audiences like a pro.
  • Local events: Bookstores, libraries, and fairs still move the needle. Also, free cookies sometimes.

3) If you do social, do it smart

  • Go where your readers hang out. TikTok is huge for YA and romance. Twitter is strong for sci-fi and literary fiction.
  • Post more than “buy my book.” Share behind-the-scenes bits, the messy writing process, personal stories, and jump into reader conversations. Be a human, not a billboard.

The Business of Writing: From A to Z

Writing a great story matters. Editing matters. Neither will save you if you treat your book like a message in a bottle. Authors are not just artists. You are a business. That means strategy, systems, and marketing that moves people to talk about your work and you.This is not selling out. This is how you get read.

What “Business” Means for Authors

  • Product: Your book, your series, your backlist, your bonus content.
  • Brand: The promise you make to readers and the vibe you deliver every time.
  • Distribution: How your work reaches people, both digital and physical.
  • Marketing: How you attract attention and convert it into actual readers.
  • Operations: Calendars, budgets, deadlines, tools, contracts, taxes. The glamorous stuff.
  • Analytics: Knowing what works so you can do more of it and stop guessing.

The A to Z of Author Biz

  • A — Audience: Define a reader persona, not a vague blob. Who are they, what do they read, where do they hang out, why do they care.
  • B — Brand: One line that nails your promise. Keep your covers, copy, and tone consistent.
  • C — Copywriting: Your blurb and ad hooks must carry their own weight. Clarity beats clever.
  • D — Distribution: Go wide, or go exclusive. Pick based on genre norms and your goals.
  • E — Email: Build a list. Own your audience. Send value, not spam.
  • F — Funnel: Attract, capture, nurture, convert, delight. Simple beats messy.
  • G — Goals: Monthly word count, quarterly launches, revenue targets. Write them down.
  • H — Hook: A sharp premise plus emotional stakes. Put it everywhere.
  • I — IP: Protect your rights. Think audio, translation, merch, adaptations.
  • J — Joint ventures: Cross-promos, anthology teams, podcast swaps. Borrow trust.
  • K — Keywords: Metadata matters. Help stores and search engines find you.
  • L — Launch: ARC teams, preorders, schedule, assets, reviews on day one.
  • M — Marketing: Sustained, not frantic. Test small, then scale.
  • N — Nurture: Behind-the-scenes updates, freebies, bonus chapters, Q&A.
  • O — Outreach: Book clubs, libraries, indie bookstores, local media.
  • P — Positioning and Price: Know your shelf. Price to market, then experiment.
  • Q — Quality control: Edit, proof, format. Readers forgive a lot, but not sloppy.
  • R — Reviews: Make it easy to leave them. Never argue with a reviewer.
  • S — Social proof: Testimonials, awards, charts, screenshots. Use them.
  • T — Testing: Covers, blurbs, ad images, first pages. Let data win.
  • U — USP: Your unique angle. Say it plainly. Repeat it often.
  • V — Visibility: SEO, social, ads, partnerships, events. Stack your channels.
  • W — Word of mouth: The engine you build on purpose, not by accident.
  • X — X-factor: A signature element readers remember. A tone, trope, theme, or world.
  • Y — You, Inc.: Protect your time and energy. Systems beat willpower.
  • Z — Zero regret finish: Close loops, deliver on promises, ask for the next action.

Marketing That Gets People Talking

People share what makes them feel smart, seen, or entertained. Give them something to pass along.

  • Talk triggers: A bold premise, an unexpected twist, a controversial question, a jaw-drop world rule. Bake one into the book and the blurb.
  • Shareables: Quote cards, short audio clips, 20–40 second video hooks, tidy behind-the-scenes photos. Make it easy to repost.
  • Reader roles: ARC team, street team, beta readers, name-a-character contests, choice-of-cover votes.
  • Communities: Goodreads groups, Discord servers, Reddit threads, TikTok and Instagram niches. Show up where conversations already exist.
  • Micro-influencers: Bookstagrammers, BookTok creators, niche podcasts, genre newsletters. Smaller audiences can convert better.
  • Book clubs: Offer discussion guides, Zoom drop-ins, signed bookplates, discounts for bulk.
  • Local buzz: Libraries, indie bookstores, college lit groups, hometown papers. Real humans, real momentum.

Your Visibility Stack

  • Home base: A simple website and an email list. You own both.
  • One primary social channel: Go where your readers actually are. Post consistently, not constantly.
  • Retail pages that convert: Strong cover, tight blurb, dialed metadata, compelling Look Inside.
  • Ads as accelerant: Start tiny on Amazon, Meta, or TikTok. Test audiences and creatives.
  • Search and SEO: Author name, series name, genre keywords. Make Google your friend.

A Simple Weekly System

  • Write: 5 sessions. Protect them like a dragon hoard.
  • Nurture: 1 email or community post with value or a peek behind the curtain.
  • Grow: 1 outreach action. Pitch a podcast, DM a creator, apply for a promo.
  • Promote: 2 evergreen posts or clips that spotlight your hook.
  • Measure: 20 minutes on metrics. Keep doing what moves the needle.

Metrics That Matter

  • Email list growth and open rate
  • Conversion on your retail pages
  • Cost per click and cost per new reader
  • Read-through across a series
  • Reviews per 100 sales
  • Time on page for your first chapter or sample

Common Mistakes to Avoid

  • Hiding behind the book: You are part of the product. Readers follow people.
  • Launching cold: Build a list and a conversation before release week.
  • Random acts of marketing: Pick a plan and stick to it for at least one quarter.
  • Chasing every trend: Choose one lane you can sustain.
  • Forgetting the back end: No clear next step means lost momentum.

Make Them Talk About You

  • Own a theme or hill to die on: A point of view readers can quote at dinner.
  • Name your world or promise: A catchy series name or manifesto line helps memory stick.
  • Deliver delight moments: Unexpected bonus scenes, secret epilogues, surprise art drops.
  • Invite participation: Polls, challenges, reading sprints, live Q&A.
  • Close with an ask: If you loved it, tell a friend, leave a review, join the list. Simple and direct.

Now, for all this free advice…My latest creation The Big Beautiful Book of Stupid Shit is almost ready for publication. If you like what you read, give me a follow, a thumbs up, hell repost it for me because what I have written will not only assist other writers but this book which is as large as “The Big Beautiful Bill.” is almost ready.

Thanks and much Love…

AuthorScott

Avoid Marketing Mistakes: Tips for Authors

Avoid Marketing Mistakes: Tips for Authors


When you flush money down the shitter expecting results, you’re not just throwing a party for your dignity—you’re throwing it a surprise funeral. Spoiler alert: the porcelain throne isn’t some magical fountain of success. It’s not going to spit out gold bars or a winning lottery ticket. No, it’s just a glorified trash can for bad decisions and the aftermath of your Taco Bell binge. And let’s be real, the only thing you’re going to find in there is regret, a questionable smell, and the faint echo of your own stupidity.
Seriously, what were you expecting? A genie to pop out and grant you three wishes? Hate to break it to you, but the only thing coming out of that toilet is the ghost of last night’s tequila and the shattered remains of your self-esteem. Congratulations, you’ve officially turned your bathroom into a shrine for poor life choices. Light a candle. Say a prayer. And for the love of God, stop flushing your hopes and dreams down the crapper.


So, my book, Stupid Shit: A Survival Guide for a World Gone Mad, is almost ready to drop, and now it’s time to tackle the beast that is marketing. And let’s be honest—marketing can feel like trying to sell ice to penguins while wearing a clown suit. But hey, if you’re writing a book about stupid shit, you’re already halfway to genius. The trick is to avoid doing stupid shit while marketing your book. I know people who’ve written books, slapped them on Amazon, and then sat back waiting for the million-dollar checks to roll in. Should we tell them? Or just let them keep refreshing their bank accounts in blissful ignorance?

Then there are the people who pay someone else to do their marketing for them. Because nothing screams “I’m invested in my book” like outsourcing the entire process to someone who couldn’t give two shits if your book sells or ends up as a coaster for their coffee mug. Let’s be real—these people don’t care about your literary masterpiece on why Rome really fell. They’re not sitting there thinking, “Wow, this author’s insights into ancient history are going to change the world!” No, they’re thinking, “How fast can I slap together a half-assed Facebook ad and still charge them $500?”
If you’re going to be an author, you’ve got to face the cold, hard truth: unless you’ve got the luck of the Irish, or 50 shades of luck in the form of a billionaire with a fetish for spanking young women with tender white bottoms, you’re going to have to work a little harder. And no, I don’t mean “harder” in the Christian Grey sense. I mean you’re going to have to dive headfirst into the murky, soul-sucking waters of marketing your own damn book.


Because here’s the thing: no one is coming to save you. There’s no knight in shining armor galloping in on a horse made of Amazon algorithms to rescue your sales. You’re not Anastasia Steele, and your book isn’t going to magically seduce the masses just by existing. You’ve got to put in the work. You’ve got to convince people that your book is worth their time, their money, and their precious attention span, which, let’s be honest, is shorter than a TikTok video these days.


So, unless you’re sitting on a pile of cash and a dream that some marketing guru is going to turn your novel into the next Fifty Shades of Grey, it’s time to roll up your sleeves and get to work. Because the only thing worse than writing a book no one reads is paying someone else to pretend they care about it while they’re secretly Googling “how to make passive income without trying.”


Many people get on Twitter or Facebook and do what…Spam.
You know that guy who sends 16 identical pitches to random blogs in five hours? Yeah, don’t be that guy. Spamming your book everywhere is like farting in an elevator—it’s loud, obnoxious, and everyone hates you for it. Instead, focus on connecting with your actual audience. Who are they? People who love sarcasm, humor, and a healthy dose of WTF moments. Speak to them directly, not to the void. The void doesn’t buy books. The void doesn’t even have a credit card.
Learn from the Snowqueen’s Icedragon (Yes, That’s a Real Thing)


Let’s take a moment to appreciate E.L. James, the queen of turning fan fiction into a global phenomenon. Back in 2009, she wrote Fifty Shades of Grey as Twilight fan fiction under the pseudonym “Snowqueen’s Icedragon.” (Yes, really. Let that sink in.) She posted it on fanfiction.net, where she tapped into an existing fanbase of people who were already thirsty for sparkly vampires and awkward romance. Genius, right? She then moved her story to her own website, self-published it, and let word-of-mouth do the heavy lifting. By the time Hollywood came knocking, she was already rolling in cash and probably laughing maniacally while swimming in a pool of royalty checks. Moral of the story? Know your audience, and don’t be afraid to embrace the absurd.


Know Your Audience (Hint: It’s Not Karen from Accounting)
If you’re marketing your book to “everyone,” you’re marketing it to no one. Your book isn’t for everyone—In my case my audience is people who appreciate humor, sarcasm, and the absurdity of modern life.

Who is yours? Lean into that. Your ideal reader isn’t Karen from accounting who spends her weekends manifesting her dream life with crystals and self-help books.

My reader is the person who laughs at fart jokes, wonders why the world is so damn ridiculous, and probably has a meme folder labeled “For When I Lose Faith in Humanity.”
Social Media: Stop Screaming “BUY MY BOOK” Like a Lunatic.


If your social media strategy is just “BUY MY BOOK” on repeat, you’re doing it wrong. Social media is like a party—if you’re the guy standing in the corner shouting about your book, people will avoid you like you’ve got the plague. Instead, In my case I will share funny anecdotes, behind-the-scenes moments, or even snippets of the book.


The world is too damned serious and I want to make people laugh, make them think, and then—then—tell them about my book.


Balance is key. Think of it like foreplay. You don’t just dive in screaming, “BUY MY BOOK!” You warm them up first. Buy them dinner. Tell them a joke. Then hit them with the sales pitch.
Start Marketing Before You’re Ready (Because You’ll Never Be Ready)


Waiting until your book is out to start marketing is like showing up to a potluck with an empty plate. Start building hype now. Share your writing process, tease your cover design, or post about the stupid shit that inspired your book. The earlier you start connecting with your audience, the more invested they’ll be when your book drops. And remember, it’s not about follower counts or newsletter subscribers—it’s about quality over quantity. A small, engaged audience is worth more than a million bots or disinterested followers. Treat your audience like gold. Or at least like a really good burrito. Both are precious.


I know way too many authors who don’t give a shit—or even two fucks—about their audience. And let me tell you, folks, that ain’t gonna fly. Your audience isn’t just some faceless blob of people who magically buy your book because you exist. They’re your peeps. Your tribe. The people who are willing to spend their hard-earned cash on your ramblings about why Rome really fell or whatever other nonsense you’ve decided to write about. If you treat them like a pot pie you left in the air fryer too long—burnt, forgotten, and stinking up the place—they’re going to do what any self-respecting human would do: set off the fire alarm, leave your ass hungry, and never come back.


Here’s the thing: your audience is the lifeblood of your book. Without them, you’re just some weirdo shouting into the void. And the void doesn’t buy books. The void doesn’t leave reviews. The void doesn’t even care that you exist. So, if you’re not willing to put in the effort to connect with your readers, you might as well pack it up now and save yourself the embarrassment of watching your Amazon ranking plummet faster than your self-esteem after reading a one-star review.


Treat Your Audience Like Gold (Not Like That Mystery Meat in the Back of Your Freezer)
Your audience isn’t stupid. They can tell when you’re phoning it in. If you’re just throwing your book out there and hoping for the best, they’ll notice. And they’ll leave. Fast. Think of your audience like a delicate soufflé—you’ve got to nurture them, pay attention to them, and for the love of God, don’t slam the oven door by ignoring their needs. Otherwise, they’ll collapse into a sad, deflated mess, and you’ll be left wondering why no one’s buying your book.


So, how do you keep your audience happy? Simple: give a shit. Engage with them. Talk to them. Make them feel like they’re part of something special. Because if you don’t, they’ll find someone else who will. And trust me, there’s no shortage of authors out there who are more than happy to steal your readers while you’re busy treating them like yesterday’s leftovers.


Don’t Be That Author Who Thinks They’re Too Cool for Their Readers


You know the type. The author who thinks they’re some literary god, too busy basking in their own brilliance to bother with the people who actually read their work. Newsflash: you’re not Hemingway. And even if you were, Hemingway would probably tell you to stop being such a pretentious asshole and buy your readers a drink. Your audience doesn’t owe you anything. They don’t have to read your book. They don’t have to leave you glowing reviews. And they sure as hell don’t have to stick around if you treat them like crap.


So, here’s the deal: if you want your audience to care about you, you’ve got to care about them first. Show them some love. Make them laugh. Give them a reason to stick around. Because at the end of the day, your audience isn’t just a bunch of random assholes—they’re the reason your book exists. Treat them like it.


Don’t Be Afraid to Be Bold (Or a Little Stupid)
My book is called Stupid Shit, so you better believe I’m going all-in on audacious marketing. Humor, sarcasm, and a touch of absurdity to grab attention. Because let’s face it, the world is already full of stupid shit—my book is here to make sense of it. Or at least laugh at it.


Marketing doesn’t have to be a soul-sucking exercise in futility. It can actually be fun. Just remember: don’t spam, don’t rely on bots, and don’t try to be everything to everyone. Focus on your audience, be genuine, and let your personality shine through. After all, the world is already drowning in stupid shit—my book is here to be the life raft. Or at least the inflatable pool noodle.
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I have to get back to work on editing 1300 Feet Per Second which is a thriller.
Next time we visit I will share my writing techniques regarding letting sleeping dogs nap while I work on something else and then return to wake them up and get them howling.
-Best