Category: author

Point Blank: Lessons I Learned on the Wrong Side of a Badge

A Book You Didn’t Know You Needed (But Oh, You Do)

Let me hit you with a question: Have you ever looked back on your life, shaking your head like, What the actual hell was I thinking? Ever had cops point guns at you like you just robbed a damn bank? Or been pulled over for speeding, on a bicycle? If you answered yes to any of that, welcome to the club. And if you didn’t, buckle up, because this book will give you a front-row seat to the kind of weirdness you didn’t know you needed in your life.

Now, take that “what the hell” feeling, crank it up to eleven, sprinkle in a heaping dose of stupidity, and slather it all with dark humor. That’s my life in a nutshell. Well, that, and now it’s also my book.

Point Blank isn’t just a catchy title, it’s basically the theme of my existence. It’s a front-row seat to the absurdity of growing up chasing lizards in Carrollton, Texas, and somehow ending up walking a tightrope between comedy and total catastrophe. And let’s be real—who hasn’t been there?

This book is my love letter to the moments that make life… well, incredibly dumb. It’s a collection of stories, life lessons, and the facepalm-worthy memories that prove one thing: no matter how much you think you’ve got life figured out, you don’t. (Spoiler alert: no one does.) But honestly, isn’t that where the fun is? In the ridiculous, the unexpected, and the holy-crap-why-is-this-happening moments?

So, What the Hell Is Point Blank About?

At its core, Point Blank is a comedic deep dive into life’s dumbest moments. But it’s not just that. It’s part memoir, part roast, part free therapy session (for me, not you). It’s the kind of book you pick up when life’s been kicking you in the teeth, and you need a reminder that you are not the only one out here navigating the chaos.

Here’s a little teaser of what you’re in for:

Lessons I Learned While Staring Down the Barrel of a Gun

Pro tip: Don’t try to argue your case with the cops on the side of the road. Just don’t.

How to Survive a Head-On Collision (And the Bureaucratic Circus That Follows)

Because apparently, getting hit by a drunk driver isn’t enough. Nope, fate has to throw in paperwork, insurance nightmares, and a side of complete nonsense.

The Great Paper Route Fiasco

Picture this: ink-stained hands, 5 a.m. bike rides, and a not-so-charming run-in with the local cops. (Spoiler: they weren’t impressed.)

“Arrest-Me Red” and Other Car Choices I’d Like to Forget

Fast cars, flashing lights, and one particularly chaotic road trip from Miami to Key West that felt more like a cop magnet convention.

Reinvention 101

From engineer to IT guy to sci-fi writer, because apparently, I like to keep my life as unpredictable as possible.

Why You’re Gonna Love This Book

Okay, I get it. You’re probably thinking: Do I really need another book about someone else’s ridiculous life? But hear me out, this one’s different. It’s not just about my life. It’s about our lives.

It’s about the universal stupidity we all encounter—the shared facepalm moments that remind us we’re all just winging it. You’ll laugh (hard). You’ll cringe (probably harder). You might even tear up a little, but only in that holy crap, this is too real kind of way.

Think of Point Blank as sitting down with that one friend who’s been through some serious shit, lived to tell the tale, and somehow managed to find the punchline in every disaster.

Who’s This Book For?

If you’ve ever made a decision so dumb it deserves its own monument, this book’s for you.

If you’ve ever looked at someone else’s life and thought, Well, at least I’m not that guy, this book’s definitely for you.

If you’re a fan of George Carlin’s brutal honesty, Douglas Adams’ absurd humor, or David Sedaris’ ability to find hilarity in misery, congrats—you’ve found your new favorite read.

If you just need a good laugh, a break, or a reminder that life’s most chaotic moments are often the most memorable, this book is 1000% for you.

Where to Read It

Picture this: You’re sitting on the toilet (don’t even pretend you don’t scroll or read in there), flipping pages or swiping through your phone, and suddenly you’re laughing so hard you almost fall off the damn seat. That’s what this book is for.

It’s for the bathroom, the waiting room, the coffee break, the long-ass flight, or those sleepless nights when you just want to escape the madness for a bit.

A Final Word

Point Blank isn’t just a book. It’s an experience. It’s a rollercoaster through the highs and lows, the WTF moments, and the laughs that make life worth living—and retelling.

So here’s the deal: Buy the book. Read the book. Laugh at the book. Share the book. And who knows? Maybe you’ll start seeing your own life in a slightly less serious, slightly more ridiculous light.

Because let’s face it, isn’t that what we’re all trying to do? Find the humor in the madness, make sense of the chaos, and keep moving forward, one hilariously stupid moment at a time.

Go grab your copy of Point Blank. Trust me, your life will be better (or at least funnier) for it.

Then do me a solid, give it a review from where you bought it, or even read it for free on KDP.

How Authors Can Thrive in the Digital Age

A lot of you are staring at flat sales and asking me the same thing I see in my inbox every week: are people still reading?

Short answer: yes. Longer answer: hell yes, but reading has changed outfits. People still love romance, fantasy, and thrillers, yet a lot of them are grabbing audiobooks, e-books, and snackable serials on Wattpad and Substack. Attention is a fragile little beast, so readers also go for shorter, punchier stuff, or they want summaries and adaptations like podcasts and quick recaps that fit between life, work, and whatever Netflix is feeding them tonight.

Where Are People Reading?

Online platforms: Wattpad, Kindle Direct Publishing, Substack, and even Reddit are buzzing with new voices and weirdly passionate niche communities.
Social media: Instagram’s Bookstagram, TikTok’s BookTok, and Twitter’s BookTwitter can catapult a book from “who the hell is this?” to “I saw that everywhere.”
Audiobooks and podcasts: Multitaskers unite. People listen while commuting, cleaning, working out, or pretending to stretch.

Why, you might ask. Have you listened to the news? Then you know the answer.

How Can an Unknown Writer Get Known Today?

1) Social media is a tool, not a religion

Use it if it helps. It’s great for visibility, networking, and actually talking to readers, but it shouldn’t swallow your writing time.
Yes, some authors thrive with little or no social presence. They are the exception. For most of us mortals, social helps put the work in front of eyeballs.

2) Other ways to get noticed

Self-publishing: KDP and Wattpad can get your work to readers without asking anyone’s permission.
Newsletter and email list: Gold. You own that relationship, and it beats shouting into the algorithm void.
Collaborations: Guest posts, podcast interviews, swaps with other writers. Borrow audiences like a pro.
Local events: Bookstores, libraries, and fairs still move the needle. Also, free cookies sometimes.

3) If you do social, do it smart

Go where your readers hang out. TikTok is huge for YA and romance. Twitter is strong for sci-fi and literary fiction.
Post more than “buy my book.” Share behind-the-scenes bits, the messy writing process, personal stories, and jump into reader conversations. Be a human, not a billboard.

The Business of Writing: From A to Z

Writing a great story matters. Editing matters. Neither will save you if you treat your book like a message in a bottle. Authors are not just artists. You are a business. That means strategy, systems, and marketing that moves people to talk about your work and you.This is not selling out. This is how you get read.

What “Business” Means for Authors

Product: Your book, your series, your backlist, your bonus content.
Brand: The promise you make to readers and the vibe you deliver every time.
Distribution: How your work reaches people, both digital and physical.
Marketing: How you attract attention and convert it into actual readers.
Operations: Calendars, budgets, deadlines, tools, contracts, taxes. The glamorous stuff.
Analytics: Knowing what works so you can do more of it and stop guessing.

The A to Z of Author Biz

A — Audience: Define a reader persona, not a vague blob. Who are they, what do they read, where do they hang out, why do they care.
B — Brand: One line that nails your promise. Keep your covers, copy, and tone consistent.
C — Copywriting: Your blurb and ad hooks must carry their own weight. Clarity beats clever.
D — Distribution: Go wide, or go exclusive. Pick based on genre norms and your goals.
E — Email: Build a list. Own your audience. Send value, not spam.
F — Funnel: Attract, capture, nurture, convert, delight. Simple beats messy.
G — Goals: Monthly word count, quarterly launches, revenue targets. Write them down.
H — Hook: A sharp premise plus emotional stakes. Put it everywhere.
I — IP: Protect your rights. Think audio, translation, merch, adaptations.
J — Joint ventures: Cross-promos, anthology teams, podcast swaps. Borrow trust.
K — Keywords: Metadata matters. Help stores and search engines find you.
L — Launch: ARC teams, preorders, schedule, assets, reviews on day one.
M — Marketing: Sustained, not frantic. Test small, then scale.
N — Nurture: Behind-the-scenes updates, freebies, bonus chapters, Q&A.
O — Outreach: Book clubs, libraries, indie bookstores, local media.
P — Positioning and Price: Know your shelf. Price to market, then experiment.
Q — Quality control: Edit, proof, format. Readers forgive a lot, but not sloppy.
R — Reviews: Make it easy to leave them. Never argue with a reviewer.
S — Social proof: Testimonials, awards, charts, screenshots. Use them.
T — Testing: Covers, blurbs, ad images, first pages. Let data win.
U — USP: Your unique angle. Say it plainly. Repeat it often.
V — Visibility: SEO, social, ads, partnerships, events. Stack your channels.
W — Word of mouth: The engine you build on purpose, not by accident.
X — X-factor: A signature element readers remember. A tone, trope, theme, or world.
Y — You, Inc.: Protect your time and energy. Systems beat willpower.
Z — Zero regret finish: Close loops, deliver on promises, ask for the next action.

Marketing That Gets People Talking

People share what makes them feel smart, seen, or entertained. Give them something to pass along.

Talk triggers: A bold premise, an unexpected twist, a controversial question, a jaw-drop world rule. Bake one into the book and the blurb.
Shareables: Quote cards, short audio clips, 20–40 second video hooks, tidy behind-the-scenes photos. Make it easy to repost.
Reader roles: ARC team, street team, beta readers, name-a-character contests, choice-of-cover votes.
Communities: Goodreads groups, Discord servers, Reddit threads, TikTok and Instagram niches. Show up where conversations already exist.
Micro-influencers: Bookstagrammers, BookTok creators, niche podcasts, genre newsletters. Smaller audiences can convert better.
Book clubs: Offer discussion guides, Zoom drop-ins, signed bookplates, discounts for bulk.
Local buzz: Libraries, indie bookstores, college lit groups, hometown papers. Real humans, real momentum.

Your Visibility Stack

Home base: A simple website and an email list. You own both.
One primary social channel: Go where your readers actually are. Post consistently, not constantly.
Retail pages that convert: Strong cover, tight blurb, dialed metadata, compelling Look Inside.
Ads as accelerant: Start tiny on Amazon, Meta, or TikTok. Test audiences and creatives.
Search and SEO: Author name, series name, genre keywords. Make Google your friend.

A Simple Weekly System

Write: 5 sessions. Protect them like a dragon hoard.
Nurture: 1 email or community post with value or a peek behind the curtain.
Grow: 1 outreach action. Pitch a podcast, DM a creator, apply for a promo.
Promote: 2 evergreen posts or clips that spotlight your hook.
Measure: 20 minutes on metrics. Keep doing what moves the needle.

Metrics That Matter

Email list growth and open rate
Conversion on your retail pages
Cost per click and cost per new reader
Read-through across a series
Reviews per 100 sales
Time on page for your first chapter or sample

Common Mistakes to Avoid

Hiding behind the book: You are part of the product. Readers follow people.
Launching cold: Build a list and a conversation before release week.
Random acts of marketing: Pick a plan and stick to it for at least one quarter.
Chasing every trend: Choose one lane you can sustain.
Forgetting the back end: No clear next step means lost momentum.

Make Them Talk About You

Own a theme or hill to die on: A point of view readers can quote at dinner.
Name your world or promise: A catchy series name or manifesto line helps memory stick.
Deliver delight moments: Unexpected bonus scenes, secret epilogues, surprise art drops.
Invite participation: Polls, challenges, reading sprints, live Q&A.
Close with an ask: If you loved it, tell a friend, leave a review, join the list. Simple and direct.

Now, for all this free advice…My latest creation The Big Beautiful Book of Stupid Shit is almost ready for publication. If you like what you read, give me a follow, a thumbs up, hell repost it for me because what I have written will not only assist other writers but this book which is as large as “The Big Beautiful Bill.” is almost ready.

Thanks and much Love…

AuthorScott

Why ‘Ask Your Doctor If Death Is Right for You’ Works

Years ago I worked at an advertising agency. We had to be creative. Today while watching the news I was shocked by the big pharma ads. The tag line: is death right for you, came to mind.

Thinking back to those days, I formulated an ad campaign that would never get played, but it should. Do we really need pills that keep us hooked on more pills to fix the side effects of those pills?

Tell me what you think.

Alright, team. Gather ‘round. I’ve got a pitch for you that’s equal parts brilliance, absurdity, and just the right amount of “what the actual f***.” You’re going to love it. Or hate it. Either way, we’re making history—and probably pissing off Big Pharma in the process.

Picture this: A pharmaceutical commercial. But not just any pharmaceutical commercial. Oh no, this isn’t your run-of-the-mill “cure one thing, destroy seven others” nonsense. This is bold, it’s darkly funny, and it’s honest. Strap in, because I’m about to sell you the next big thing in healthcare advertising.

Opening Scene: A Hallmark Dream

We start with the usual formula—because let’s face it, the best parody thrives on clichés.

Imagine a serene meadow: golden sunlight pouring through the trees, a golden retriever frolicking in slow motion, and a woman spinning in circles like she just discovered her life has been sponsored by Xanax. The piano music? Uplifting. The visuals? Pinterest-worthy. The voiceover? Smooth as silk.

“Are you tired of your minor discomfort? Is that pesky rash ruining your Tuesday? Does your slight headache feel like the universe is conspiring against you? Introducing PanaceaX™—because being mildly inconvenienced is clearly the worst thing that can happen to you.”

Cue the woman laughing with her family. She’s baking cookies with zero regard for her gluten intolerance. The dog’s wagging its tail like it’s auditioning for a Disney movie. You feel warm, cozy, safe. But then… oh, then, the voiceover takes a turn.

The Twist: Side Effects from Hell

“Side effects may include nausea, dizziness, dry mouth, explosive diarrhea, uncontrollable vomiting, hallucinations, existential dread, spontaneous combustion, and, oh yeah—death.”

Pause for dramatic effect.

“Ask your doctor if PanaceaX™ is right for you.”

Now, let’s linger on this for a second. Death. We’re not even trying to sugarcoat it. We’re leaning all the way in. Because, let’s be real—half the drugs on the market already come with side effects that sound like rejected horror movie plots. Why not own it?

The tagline? Simple, catchy, and just the right amount of nihilistic charm:

“PanaceaX™: Because if you’re gonna die anyway, you might as well do it medicated.”

Now, I know what you’re thinking: “But how do we make people laugh about something as horrifying as spontaneous internal bleeding or uncontrollable rage?” Easy. We do what pharmaceutical ads already do—bury it under a montage of happy people living their best lives. Except we call attention to how absolutely insane it is.

The voiceover speeds up, auctioneer-style. You know the drill: “Nausea. Vomiting. Headaches. Diarrhea so explosive it’ll put food poisoning to shame. Dry mouth so bad you’ll think you’ve been licking sandpaper. And for those of you lucky enough to hit the jackpot: sudden personality changes, hallucinations, and the occasional bout of spontaneous combustion. PanaceaX™: Because nothing says ‘healthcare’ like becoming a walking dumpster fire.”

Meanwhile, the visuals continue to show people doing things that have nothing to do with the drug. A dad teaching his kid to ride a bike. A couple on a beach. A grandma knitting a sweater for her cat. No one’s vomiting. No one’s combusting. It’s all lies. But that’s the beauty of it.

Let’s Talk About the Rare Side Effects

Now, this is where we really shine. These aren’t your run-of-the-mill “oops, I sneezed too hard” side effects. Oh no. These are the real gems. The ones that make you question your life choices.

Uncontrollable Rage: Perfect for holiday dinners with the in-laws.

Sudden Hair Loss: Because bald is the new black.

Loss of Taste: Both literal and metaphorical. Say goodbye to your sense of flavor and your fashion sense.

Spontaneous Internal Bleeding: A fun surprise for everyone involved.

Death: The ultimate cure for all ailments. Guaranteed 100% effective every time.

And we have to include this one: “May cause an irrational fear of ducks.” Why? Because it’s weird, it’s random, and it makes people pay attention.

The Irony of It All

Here’s the kicker, folks: The diseases these drugs are treating? They’re usually not that big a deal. Heartburn? Allergies? A little anxiety? You don’t need a pill for that—you need a nap and a decent therapist. But no, we’ve been conditioned to think that every minor inconvenience requires a chemical solution. And let’s be honest, we eat it up. Why? Because the ads show us what we want to see: happiness, health, freedom.

That’s the genius of it. They dangle the perfect life in front of us, and we bite. Even if the fine print basically says, “May cause your organs to implode.”

Final Scene: The Closing Pitch

So here’s how we wrap it up. The screen fades to black. The piano music swells. The logo for PanaceaX™ appears, glowing softly. And the voiceover delivers the final line with just the right amount of smug optimism:

“PanaceaX™: Ask your doctor if death is right for you. (Spoiler alert: It probably is.)”

Cue the woman spinning in the meadow one last time, but this time, she’s holding a giant bottle of PanaceaX™ like it’s the Holy Grail.

Why This Works

This pitch is self-aware, sarcastic, and just unhinged enough to go viral. It pokes fun at the absurdity of pharmaceutical advertising while staying true to the format. It’s dark, it’s funny, and most importantly—it’s memorable. People will be quoting, “Ask your doctor if death is right for you” for years.

So, what do you think? Are we ready to take the pharmaceutical world by storm, or should we just prescribe ourselves a big ol’ dose of “f*** it” and call it a day?

A Taste of Stupid Shit (Coming Soon to a Brain Near You)

That, my friends, is just a tiny sample of the glorious nonsense you’ll find in The Big Beautiful Book of Stupid Shit, which is currently in the editing process. Yes, I’m editing it—because apparently, society frowns upon just flinging raw stupidity into the world without a little polish. Go figure.

I’m hoping to release it in the next few weeks because, let’s be real, the world desperately needs this. We’re drowning in stupidity every day—on TV, on social media, at family reunions—and someone (me) needs to catalog it, mock it, and gift-wrap it for your reading pleasure.

So, do me a favor: subscribe, follow, comment, and tell me what you think. Or don’t. I’m not your mom. But if you do, you’ll get to say you were here before this book becomes the literary equivalent of a viral cat meme. And let’s face it—who doesn’t want that level of cultural credibility?

Go forth, let your voice be heard and spread the word far and wide. Or don’t. No matter what, this book will come to fruition, and it promises to be an exceptionally enjoyable experience. Stay tuned, and prepare for comedy gold written in bite-sized chapters that will have you laughing as if you were at a live show.

-Best

What would you surrender for a story that won’t stop knocking?

I surrendered the glow. The soft, blue hum that filled the room after dinner. I set the remote down the way some people set aside sugar for Lent—deliberately, almost ceremonially—like I was laying a coin on a ferryman’s palm. The one-eyed monster blinked into its own reflection, and the living room exhaled. No laugh track. No canned cliffhanger. Only the fridge whispering, the clock ticking, the house going quiet enough for another world to speak.

That was the night my AR clicked on.

Not augmented reality. Author Reality. The dimension that lives behind every closed door and blinking cursor. It doesn’t need a headset, and it doesn’t apologize for being demanding. It’s the world that asks you to show up with the same seriousness you bring to your job, your family, your grief, your joy. It rewards the faithful, and it keeps its secrets from the curious who wander in for a minute and wander back out.

Is it worth it? Depends on what you want from a story: to be carried, or to build the boat.

Here’s the rhythm I’ve learned, the three-beat cadence of making a book: if I’m not writing, I’m editing. If I’m not editing, I’m sharing—sending flares from my lighthouse so readers can find the shore I’ve drawn by hand. The work doesn’t pause when inspiration does. The tide moves with or without me, and the only way to get anywhere is to put an oar in the water every day, even when the fog is thick.

In AR, everything means more than it looks. A mug of coffee stops being a mug. Steam rolls out like sea fog over the harbor city I sketched in a January notebook—the one with crooked alleys and market bells and a lighthouse whose stair treads know my footsteps by now. The keyboard isn’t plastic and wires; it’s a compass that points toward scenes I haven’t met and scenes I’m avoiding. The cursor blinks like a beacon: here, here, here. Come back to work.

Characters are the first to step through. They don’t knock; they appear mid-argument, mid-laugh, mid-betrayal, dragging weather from their world into mine. A woman with ink-stained fingers and a secret she thinks is hers to keep sits across a table I’ve never owned, tapping out a rhythm that nags me until I write it. A courier with a map stitched into his jacket refuses to sleep until I let him miss his train. They bring me their trouble and their hope and ask me to be brave enough to tell the truth about both.

Writing is the first excavation. It’s the rush of discovering a bone in the sand and imagining the whole animal in a heartbeat. Then comes editing—the archaeology that happens with a brush instead of a shovel. Line by line, brush, brush, brush. I dig out the clean edges of the story from the clay of my habits. I cut the clever lines that don’t serve the skeleton. I sand away the splinters of scenes that snag but don’t support.

Editing is humbling. It asks: if you were a reader with a train to catch and twenty minutes to spare, would you keep turning pages? It makes you honest. It makes you protective of the reader’s time like it’s your own. It teaches you that your favorite sentence is sometimes the one that has to go.

Then there’s the sharing. I used to call it marketing and feel like I’d swapped my compass for a billboard, but that was before I understood it as lighthouse work. A story without a reader is a ship locked in the bottle: complete, exquisite, invisible. So I keep the glass polished. I write the note that says, “This is the world waiting inside,” and I send it in a thousand bottles. I accept that some will wash back to my own feet. I light the lamp again tomorrow. Maintenance isn’t glamorous, but neither is missing land because the light went out.

What did I trade for this? The easy glow of someone else’s story. The comfort of predictable arcs and neat resolutions. I traded hours that evaporated into hours that accrue. The time I used to float became time I build.

Not all trades feel noble. There are nights when the couch calls me by name, when the news scrolls like a slow-motion car wreck and every good show has three seasons ready to swallow me whole. There are mornings when the alarm sounds like a dare. I don’t always win. But I keep a little ledger—a trade log that tells me, honestly, what I gave up and what I made instead.

Gave up: an hour of television, a mindless scroll, a snack I didn’t need. Built instead: 827 words that moved a character from lying to telling the truth. Reshaped a chapter so the secret doesn’t leak too soon. Jotted a note about how the lighthouse uses a lens I’d never heard of before—Fresnel, a word that tastes like a bell.

Some nights the ledger holds only this: showed up. Sat with the blank and did not run. That counts. That’s a bead on the string.

Is it worth it? I don’t pretend I don’t miss the weightless time. Ease is its own kind of bliss. But there’s another kind: the exhale that comes when a paragraph clicks into place after a week of sanding. The email that says, “I brought your character to the doctor with me; she kept me company in the waiting room.” The message that says, “I didn’t think anyone knew how this felt until I read your chapter.” Those are the moments when the ledger pays interest.

Author Reality is not glamorous. It’s not a montage scored to moody piano. It’s a series of ordinary choices that turn into extraordinary pages. It is the practice of saying no to something pleasant so you can say yes to something that will outlast you. It’s a room you have to reenter every day because the door locks when you leave. And it is, somehow, always worth the key.

Maybe you feel the familiar itch in your palms. The tug toward building instead of consuming. The quiet knowing that you are meant to make something you cannot yet see the edges of. If that’s you, come with me. We can navigate together, even in different boats.

Here’s how to open your AR door:

For one week, switch off the one-eyed monster. Thirty minutes a day is enough to crack the seam between here and there. Put your remote in a drawer, set a timer, and let silence stretch long enough to get uncomfortable. On the other side of discomfort is a voice that wants to talk to you.

Choose your role each day so you don’t fight your own weather. Calm sea? Write new words, even if they’re ugly. Wind picking up? Edit yesterday’s draft with gentle eyes. Fog horn blowing? Share a piece—a paragraph, a line, a feeling—with someone who might need it. Writing, editing, sharing. Every day has a job.

Keep a tiny trade log. One line. What you traded. What you built. Gave up: 40 minutes of scrolling. Built: 3 new pages and a better scene transition. Gave up: a second helping of dessert. Built: the energy to reread my own work without hating it. The log is proof. The log is a map.

Offer a postcard from your AR. A sentence, a sketch of a character, a logline that scares you a little to say out loud. Tell me why it matters to you. We anchor each other when we speak our worlds into air.

You don’t need a headset to live in augmented reality. You need intention. You need a door you’re willing to close and a light you’re willing to switch on. You need the courage to choose your story over the millions that want to borrow your attention for free and charge you with regret later.

I won’t pretend it’s easy to keep that light burning. But I can promise this: the worlds we build in AR have a way of building us back. They give us patience and precision and a tenderness for our own imperfect drafts. They teach us to wait for the fog to lift and to move forward anyway, even when it doesn’t. They send back echoes in the shape of readers who bring our characters to breakfast, to chemotherapy, to bed. They make meaning out of minutes.

The light is on. The keys are warm. The door is unlocked. If you’re ready, step into your AR. Leave your shoes at the threshold and carry only what you need: your stubbornness, your curiosity, a pen that doesn’t mind being chewed. I’ll be in the lighthouse, keeping watch, sending signals. When your boat appears on the horizon, I’ll wave you in.

We have worlds to make.

#WritersLife #BookTok #Bookstagram #WritingCommunity #AmWriting #IndieAuthor #WritersOfInstagram #AuthorTok #WritersOfTwitter #WritersOfX #Worldbuilding

Should I accept feedback from everyone?

Advice from another writer…

Writing Wednesday: How To Avoid Contaminated Feedback

Mastering Story Pacing: Engage Readers Effectively

There are so many aspects to writing that I think we can get lost in the weeds.

Today I want to focus on pacing. What is it?

Pacing refers to the rate at which a story unfolds, influencing how quickly or slowly the narrative progresses. It is a crucial element of storytelling that affects reader engagement, emotional impact, and the overall mood of the piece.

The length of scenes can significantly affect the pacing. Short, punchy scenes can create a fast-paced narrative, while longer, more descriptive scenes tend to slow the pace down.

The intensity and frequency of action sequences versus descriptive passages also play a vital role. A story filled with rapid action will generally feel faster-paced, while a narrative that delves deeply into character emotions and settings may feel slower.

Different genres often dictate pacing styles. For example, thrillers typically have a brisk pace to maintain tension and excitement, whereas character-driven novels may adopt a slower pace to allow for deeper emotional connections.

Effective pacing often involves varying the speed throughout the story. This technique can help maintain reader interest and build tension, creating a dynamic reading experience.

The primary purpose of pacing is to control the speed at which the story is told, which is not always the same as the speed of the events occurring within the narrative. By manipulating pacing, writers can enhance tension, develop characters, and evoke specific emotional responses from readers.

A thriller might exemplify effective pacing through a combination of short, action-packed scenes and longer, descriptive passages. The rapid shifts between intense action and slower moments allow readers to catch their breath while still maintaining a sense of urgency throughout the story.

Tension through pacing is all about rhythm and balance. By using techniques like short sentences, fast dialogue, controlled information release, and alternating speeds, writers can craft a narrative that keeps readers on the edge of their seats. Whether it’s a high-stakes chase or a quiet moment of dread, pacing allows authors to manipulate the reader’s emotional experience and maintain suspense throughout the story.

Many can write a good story, but can they captivate their readers? Pacing is a key element in maintaining reader engagement.

Common Pacing Mistakes to Avoid

Pacing is a delicate balance in storytelling, and mistakes in this area can disrupt the flow of a narrative, disengage readers, or confuse them. Here are some common pacing mistakes and how to avoid them:

1. Rushing Through Key Moments

The Problem: Important scenes, such as climactic moments or emotional turning points, are glossed over too quickly. This can leave readers feeling unsatisfied or disconnected from the story.
How to Avoid: Slow down during pivotal moments. Use detailed descriptions, internal monologue, and sensory details to fully immerse readers in the scene. For example, explore their thoughts and feelings in depth instead of rushing through a character’s emotional reaction.

2. Dragging the Narrative with Too Much Description

The Problem: Overloading the story with excessive description or unnecessary details can bog down the pace, making the narrative feel slow and tedious.
How to Avoid: Be selective with descriptions. Focus on details that are relevant to the plot or character development. If a scene feels slow, consider cutting unnecessary exposition or dialogue.

3. Uneven Pacing

The Problem: The story alternates between being too fast in some parts and too slow in others, creating a jarring experience for readers.
How to Avoid: Plan your pacing intentionally. Use faster pacing for action scenes and slower pacing for introspection or world-building. Balance is key—vary the tempo to keep readers engaged without overwhelming or boring them.

4. Too Many Filler Scenes

The Problem: Including scenes that don’t advance the plot or develop characters can make the story feel stagnant and cause readers to lose interest.
How to Avoid: Every scene should serve a purpose. Ask yourself: Does this scene move the plot forward, reveal something about the characters, or build tension? If not, consider cutting or reworking it.

5. Overloading the Reader with Action

The Problem: Constant action without breaks can exhaust readers and make the story feel monotonous, even in genres like thrillers or action-adventure.
How to Avoid: Alternate between high-intensity action and slower, reflective moments. This gives readers time to process events and connect with the characters.

6. Skipping Over Transitions

The Problem: Jumping too quickly between scenes or events without proper transitions can confuse readers and disrupt the flow of the story.
How to Avoid: Use transitions to guide readers smoothly from one scene to the next. Even a brief sentence or two to establish time, place, or mood can help maintain clarity.

7. Ignoring Genre Expectations

The Problem: Pacing that doesn’t align with the genre can alienate readers. For example, a slow-paced thriller or a fast-paced literary drama may feel out of place.
How to Avoid: Understand the pacing norms of your genre. Thrillers and action stories typically require faster pacing, while literary fiction or romance may benefit from slower, more introspective pacing.

8. Failing to Build Tension Gradually

The Problem: Jumping straight into high-stakes moments without proper buildup can make the story feel rushed and reduce the emotional impact.
How to Avoid: Gradually increase tension by layering conflicts, foreshadowing events, and raising the stakes over time. This creates a more satisfying payoff when the climax arrives.

9. Repetition of Similar Scenes

The Problem: Repeating scenes that cover the same ground (e.g., similar conversations or conflicts) can make the story feel redundant and slow.
How to Avoid: Ensure each scene adds something new to the story. If two scenes feel repetitive, combine them or cut one entirely.

10. Overcomplicating the Plot

The Problem: Introducing too many subplots or unnecessary twists can overwhelm readers and make the pacing feel erratic.
How to Avoid: Streamline your plot. Focus on the main storyline and ensure subplots are relevant and resolved in a timely manner.

Hope this helps!

Why I Value Critiques Over Prizes in Writing Contests

This week’s entry…

Many of you know I frequently submit contest entries to Reedsy, aiming for several submissions each month.

While the tease, the carrot, if you will, of $250 is nice, the reality is that I don’t even consider that part of the prize that I am seeking.

People around the world read my stories. While a simple “like” is an affirmation in that they took the time to click like, it is for the critiques of other writers I seek.

Since they don’t know me, they can tell me what they honestly think or feel. I also reciprocate for the stories that I read. I do that with the good, the bad, and the ugly.

This week’s entry was posted, and I received the following review.

Scott, your story masterfully blends humor, serendipity, and heartfelt moments into a captivating narrative that made me feel like I was right there in the snowed-in airport. The line, “No, I’m not tired,” he whispered sadly, “but I’m also sad to see the blizzard ending,” encapsulates the bittersweet feeling of fleeting connections and new possibilities. Your depiction of Victor and Emma’s banter and chemistry, especially their shared frustrations and quick wit, is utterly delightful. The humor throughout the story—like Emma’s hilarious commentary on airport bars—kept the mood lively while the underlying emotions added depth. Your vivid descriptions, especially of the bustling airport bar and Victor’s nostalgia for Toad Suck, created a rich, immersive backdrop. This is a wonderfully crafted piece with humor, heart, and charm. Thank you for sharing such a delightful read!

I am not sharing this as a brag but as an example.

Countless similar contests, with their own unique rules and prizes, undoubtedly exist across various platforms and communities. For me, these contests are much like a recess from grade school—a welcome break from the pressures of work, a chance to let loose and have some fun, just like those carefree days of childhood. The prompt transports me from my project – be it the chilling winds and barren rocks of an alien planet or the plush carpets and rich scents of a movie star’s boudoir. The challenge is to meticulously plan my writing, unlike my spontaneous, free-flowing pantster style. With a maximum of 3000 words, creating the arc, the storyline, and so on is excellent practice for that New York Times bestseller that is looming in the near distance of my imagination.

Follow the link to my entry and see what you think. Was she right?

Recently, I published a book of these entries called Ephemera, Tales of the Fleeting and Profound. Another book with the same name, Vol II, is in the making as I take these stories, edit them, add to them as I see fit, and re-publish them as a book of short stories. You can find my work here.

Welcome to 2025 and your personal connection to someone passionate about the craft of writing. Cheers!

“Trim the Tree”

How to Edit Your Stories and ‘Kill Your Darlings’ This Holiday Season.

Critiquing is one of the most important things we do in a writers’ group.

With Christmas almost here in December, I felt inspired to offer a posthumous critique of Irving Berlin’s work.

In case you don’t know, Irving Berlin wrote the movie “White Christmas,” released in 1954. He not only composed the music for the film but also contributed to its screenplay. The film features several of Berlin’s classic songs, including the iconic title track, originally debuting in his earlier work, the 1942 film “Holiday Inn.”

Truth be told, nobody wants to watch a movie with me. Why?

As a storyteller, I dissect movies. Since I penned my first novel, I can’t help myself. I am told by those who know that I should smoke pot before watching a movie so I can sit back and enjoy it.

Since I don’t smoke or do drugs, I guess I will have to be me and watch movies or read books as a solo act.

Like any artist or tradesperson, we learn from watching others and doing.

I went to see a theatrical production of White Christmas last weekend. The film’s soundtrack and other elements were all very memorable. I vividly remember every dance’s choreography and performance. The problem is that I also dissected the play and the film throughout the performance.

If we examine the plot points of the movie, they are:

War Flashback: The film opens with a flashback to Christmas Eve in 1944, where Bob and Phil perform for their fellow soldiers during the war. This sets the stage for their strong friendship and shared experiences.

Post-War Success: After the war, Bob and Phil establish themselves as a popular entertainment duo. They enjoy fame and success in the show business world.

Meeting the Sisters: While in New York, they meet a sister act, Betty (Rosemary Clooney) and Judy (Vera-Ellen), and become romantically involved with them. The sisters are also aspiring performers, which adds to the story’s dynamic.

The Vermont Inn: Bob and Phil learn that their former commanding general, General Waverly, is struggling to keep his Vermont inn afloat during the winter season. They decide to help him by organizing a Christmas show at the inn.

Planning the Show: The duo travels to Vermont with the sisters to put on a spectacular Christmas performance to attract guests and save the inn. They face various challenges, including weather issues and the general’s pride.

Romantic Developments: Throughout the film, romantic tensions build between Bob and Betty, as well as between Phil and Judy. Their relationships evolve as they work together to save the inn.

The Big Show: The climax of the film features a grand Christmas show, where all the characters come together to celebrate the holiday spirit. The performance is filled with music, dance, and heartfelt moments.

Resolution: The film concludes with a heartwarming finale, where the inn is saved, and the characters find love and happiness, embodying the spirit of Christmas.

If you or I wrote a novel with that much Serendipity, no agent would touch it.

If I’d written it, I would have done a better job describing the Haynes sisters and their cousin. Several times, the’ dog-faced boy’ is the comic relief or the glue that binds the sisters’ connection to their army buddies.

What are the odds they all end up at an inn in Vermont that just happens to be owned by General Waverly, whom the guys respect and love?

By the way, army folks help me out. Would you love a commanding officer who puts you in harm’s way?

Why not connect the dots?

How about making the dog-faced boy related to the general, which is how the Haynes sisters got the gig in the first place?

Why am I picking on a show I have loved my whole life?

Within our field, the regrettable necessity of forgoing cherished elements is unavoidable. As a result, all editing options continue to be available. We refer to this as killing our darlings.

Dissecting the movies or books you loved as a child or even today will make you a better writer.

Read, Dissect, Reflect…

As we gather around our loved ones this holiday season, let’s take a moment to reflect on our creative journeys. Just as we carefully select ornaments to adorn our trees, may we also embrace the art of editing, trimming our narratives to shine even brighter.

Remember, every cut you make is a step toward clarity and impact in your writing. So, as you cozy up with your stories this Christmas, don’t be afraid to ‘kill your darlings’ and make room for the magic that truly resonates.

Wishing you a Merry Christmas filled with joy, warmth, and inspiration. Happy editing, and may your words flow as freely as the holiday spirit! 🎄✨

Currently, there are numerous works in progress featuring magic, one of which is a pulse-pounding thriller where a forensic assassin, acting as a hired gun, tracks down villains through dimly lit alleyways and shadowy corners, the city’s heartbeat a constant hum in the background. Make sure to stay tuned for additional details.

Here are the recently penned novels, their covers promising untold stories.

Ephemera Tales of the Fleeting & Profound was just released. This is a book of short stories inspired by prompts from Reedsy.

Nudist Haven

Dear Readers,

Are you ready to embark on a journey filled with nostalgia, nature, and hidden secrets? Dive into “Nudist’s Haven,” where the past and present collide in a rustic cabin surrounded by enchanting woods and mysterious footprints.

Join Sarah as she revisits her grandmother’s secluded sanctuary, only to discover that solitude might not be as lonely as it seems. Between the whispers of the lake and the secrets of the forest, there’s a tale waiting to unfold—a tale of unexpected friendships, daring encounters, and the simple yet profound beauty of life stripped to its essence.

Will Sarah find the courage to face the shadows of the past and embrace the unexpected twists of her present? Who is the enigmatic Nathan, and what role does he play in this wilderness narrative?✨ We invite you to explore this captivating story and share your thoughts!✨Your comments and insights are the heartbeat of our storytelling community. We can’t wait to hear your reactions and discuss the surprising turns and heartfelt moments that make “Nudist’s Haven” an unforgettable read.

Click here to read this for free!

Happy Reading and Warm Regards,

Author Scott📖💬

Show Don’t Tell

‘Show don’t tell’ is one of the foundational principles of writing, emphasizing the importance of vividly illustrating instead of simply stating.

The principle of “show, don’t tell” is a fundamental technique in writing that enhances storytelling by allowing readers to experience emotions and events more vividly. Here are several reasons this approach is effective:
Engages the Reader’s Imagination
When writers show rather than tell, they invite readers to interpret the emotions and actions of characters through descriptive language and sensory details. This engagement encourages readers to visualize scenes and feel emotions alongside the characters, creating a more immersive experience.
Creates Emotional Depth
Showing emotions through actions, dialogue, and body language adds layers to character development. For instance, instead of stating that a character is angry, a writer might describe clenched fists, a flushed face, and a sharp tone of voice. This method allows readers to understand the character’s emotional state more deeply and personally.
Enhances Character Development
Characters become more relatable and realistic when their emotions are demonstrated through their behavior. Readers can infer motivations and personality traits based on how characters react to situations, making them feel more authentic and complex.
Builds Tension and Conflict
By showing rather than telling, writers can create suspense and tension in a narrative. For example, a character’s internal struggle can be illustrated through their actions and decisions, allowing readers to sense the stakes without explicitly stating them. This technique keeps readers engaged and invested in the outcome.
Encourages Reader Interpretation
When writers show emotions and events, they allow readers to draw their own conclusions and interpretations. This active participation can lead to a more rewarding reading experience, as readers connect with the story on a personal level and reflect on its themes and messages.

Here are some basic emotions

Joy – A feeling of great pleasure and happiness.
Trust – A positive emotion characterized by reliance on someone or something.
Fear – An emotional response to perceived threats or danger.
Surprise – A reaction to unexpected events.
Sadness – A feeling of sorrow or unhappiness.
Disgust – A strong feeling of aversion or repulsion.
Anger – A strong feeling of annoyance, displeasure, or hostility.
Anticipation – A feeling of excitement about something that is going to happen.

Detailed or nuanced emotions.

Affection
Amusement
Anxiety
Apathy
Compassion
Confusion
Contentment
Curiosity
Despair
Disappointment
Empathy
Envy
Excitement
Fearfulness
Frustration
Guilt
Hope
Horror
Hostility
Interest
Jealousy
Loneliness
Nostalgia
Pride
Relief
Remorse
Satisfaction
Shame
Surprise
Tenderness
Worry

Examples:
Opening his birthday present, Tim was joyful when he saw the latest video game.

Opening his birthday present, Tim’s face lit up with joy as he saw the latest video game. He eagerly imagined the hours of fun ahead.

Tim was disappointed to learn he would have to wait to play the game until the weekend, as tomorrow was a school day.

The following example may be a bit excessive, but it effectively conveys his disappointment.

As Tim’s face fell, a deep furrow etched itself across his brow. His eyes, which had sparkled with anticipation just moments before, now held a hint of sadness. The corners of his mouth, which had been curved up in a hopeful grin, now turned downward, reflecting the weight of his disappointment. He sighed, a long, slow exhalation that seemed to carry the burden of his unmet expectations.
He stared at the game console, its vibrant colors and intricate graphics now a stark reminder of the fun he would have to postpone. His fingers, which had been itching to wrap around the controller, now drummed a slow, disheartened rhythm against the table.
The room, once filled with the excited chatter of friends eagerly discussing strategies and predicting outcomes, now fell silent, save for the soft ticking of the clock on the wall. The hands moved inexorably forward, marking the passage of time that Tim could not reclaim.
As the reality of his situation sunk in, Tim’s shoulders slumped, and his body language indicated his despondency. He glanced at his friends, their faces a mirror of his own emotions, and then back at the game console. The screen, with its glowing promise of adventure and excitement, now seemed cold and distant, a cruel reminder of the joy that was now out of reach.
With a final, resigned sigh, Tim turned away from the game, his eyes downcast, his heart heavy with disappointment. He knew he would have to wait until the weekend to play, but for now, he could only endure the long, slow hours until then.

Try your hand at it. Pick a couple of the basic emotions, tell the story, and then show the story.

If you want more of these types of interactions, share your thoughts or stories in the comments.

-Best