Why I Value Critiques Over Prizes in Writing Contests

Why I Value Critiques Over Prizes in Writing Contests

This week’s entry…

Many of you know I frequently submit contest entries to Reedsy, aiming for several submissions each month.

While the tease, the carrot, if you will, of $250 is nice, the reality is that I don’t even consider that part of the prize that I am seeking.

People around the world read my stories. While a simple “like” is an affirmation in that they took the time to click like, it is for the critiques of other writers I seek.

Since they don’t know me, they can tell me what they honestly think or feel. I also reciprocate for the stories that I read. I do that with the good, the bad, and the ugly.

This week’s entry was posted, and I received the following review.

Scott, your story masterfully blends humor, serendipity, and heartfelt moments into a captivating narrative that made me feel like I was right there in the snowed-in airport. The line, “No, I’m not tired,” he whispered sadly, “but I’m also sad to see the blizzard ending,” encapsulates the bittersweet feeling of fleeting connections and new possibilities. Your depiction of Victor and Emma’s banter and chemistry, especially their shared frustrations and quick wit, is utterly delightful. The humor throughout the story—like Emma’s hilarious commentary on airport bars—kept the mood lively while the underlying emotions added depth. Your vivid descriptions, especially of the bustling airport bar and Victor’s nostalgia for Toad Suck, created a rich, immersive backdrop. This is a wonderfully crafted piece with humor, heart, and charm. Thank you for sharing such a delightful read!

I am not sharing this as a brag but as an example.

Countless similar contests, with their own unique rules and prizes, undoubtedly exist across various platforms and communities. For me, these contests are much like a recess from grade school—a welcome break from the pressures of work, a chance to let loose and have some fun, just like those carefree days of childhood. The prompt transports me from my project – be it the chilling winds and barren rocks of an alien planet or the plush carpets and rich scents of a movie star’s boudoir. The challenge is to meticulously plan my writing, unlike my spontaneous, free-flowing pantster style. With a maximum of 3000 words, creating the arc, the storyline, and so on is excellent practice for that New York Times bestseller that is looming in the near distance of my imagination.

Follow the link to my entry and see what you think. Was she right?

Recently, I published a book of these entries called Ephemera, Tales of the Fleeting and Profound. Another book with the same name, Vol II, is in the making as I take these stories, edit them, add to them as I see fit, and re-publish them as a book of short stories. You can find my work here.

Welcome to 2025 and your personal connection to someone passionate about the craft of writing.  Cheers!


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